White Rabbit Gallery

White Rabbit: Ritual Spirit

October 6, 2017
Peng Hung-Chih, 'Farfur the Martyr' (2009)

Last week I was in China meeting artists from each end of the contemporary art spectrum. In Suzhou I saw a breathtaking show of brush-and-ink painting by Li Huayi (b.1948) an artist who has divided his life between China and San Francisco. In Shanghai I visited Xu Zhen (b.1977), one of the most successful artists … More


White Rabbit: The Dark Matters

April 29, 2017
Tang Nannan, Billenium Waves (2015)

Contemporary culture puts a premium on instant gratification but ancient Chinese thinkers found the greatest value in the contemplation of eternal things. This was brought home to me by Tang Nannan’s Dao-inspired, wide-screen video, Billenium Waves (2015) at the White Rabbit Gallery. It’s nothing more than a four-minute close-up of waves lapping under a dark … More


White Rabbit: Vile Bodies

November 11, 2016
Li Shan, Recombinant, (2002-2006). Image courtesy the artist and White Rabbit Collection

Vile Bodies is a catchy title but there are very few points of comparison between Evelyn Waugh’s novel about the party-going lifestyles of young Londoners in the 1920s, and the current exhibition at the White Rabbit Gallery. In a Chinese context the word “party” takes on an entirely different connotation, and unless you’re on the … More


White Rabbit: Heavy Artillery & Cang Xin

May 20, 2016
Xu Zhen (produced by MadeIn Co), European Thousand-Armed Classical Sculpture, 2014.

There has never been a centralised, authoritarian form of government that encourages diversity. This is why alarm bells should start ringing when our own leaders want to keep centralising power – amalgamating local councils under the leadership of unelected administrators; putting a town’s art gallery, museum and theatre under the jurisdiction of a single “cultural … More


White Rabbit: Paradi$e Bitch

October 23, 2015
Shao Yinong & Muchen, Fairy Tales in Red Times—Black, 2003-2007, hand-dyed colour photograph, 160 x 120 cm.

Every new show at White Rabbit is supposedly “the best yet”. How could it be otherwise? No art museum, public or private, likes to take a backward step. This time, however, I’m inclined to agree. There’s something very complete and confident about the exhibition, Paradi$e Bitch. In a display of mostly new acquisitions, we get … More


White Rabbit: State of Play

June 20, 2015
State of Play exhibition at the White Rabbit Gallery (installation view) (2015)

Certain nations are not renowned for their playfulness. Nicht wahr? Yet this is not the case with the Chinese who found out many years ago the only way to make life bearable is to laugh about it. The Chinese sense of humour is robust and dark. It may have been this way from time immemorial, … More


White Rabbit: Commune

November 1, 2014
Jiang Jin, 'The Orphan Files', (2004)

In the words of the Chinese philosopher, Mencius, “we survive in adversity and perish in ease and comfort.” This thought may be universally applicable but it is especially relevant to China today, as the horrors of the 20th century recede into the mists. It has been almost 40 years since the end of the Cultural … More


White Rabbit: Reformation & ACAF: Degeneration

March 22, 2014
Don Wengsheng - The Convert No. 6

As the Biennale of Sydney opens, having severed ties with its founding sponsor, Transfield, it’s appropriate that the White Rabbit Gallery has launched a new exhibition called Reformation. From its beginnings, five years ago, the Nielsen family’s private museum of contemporary Chinese Art has presented a striking alternative to the big public art institutions. It’s … More


White Rabbit: ‘Serve the People’ & Li Jin

October 19, 2013
Jin Feng, History of China's Modernisation Volumes 1 and 2, 2011, rubber, marble, rice paper, dimensions variable (detail)

Serve the People was the theme of a speech given by Mao Zedong in September 1944, while the Red Army was still engaged in combat with the Japanese. One year later the invader was defeated and the Communist forces would be renamed “the People’s Liberation Army”. In the years that followed, the PLA would battle … More


White Rabbit: Smash Palace

May 4, 2013
Zhou Jie, CBD, 2010

Every exhibition at White Rabbit, the Neilson family’s private museum of contemporary Chinese art, has featured at least one show-stopper. The tour-de-force in the current show, Smash Palace, is Cheng Dapeng’s Wonderful City (2011-12), a 9.6 metre-long 3D print. On a long, light-box table, Cheng has placed a scale model of a city overrun with … More