sculpture

Joshua Yeldham

October 18, 2014
Joshua Yeldham, 'Prayer for Protection', carved board with oil, shellac, resin and cane, 152 x 120cm

Artists are always happy to portray their work as a spiritual journey but Joshua Yeldham is more convincing than most. His mid-career survey at the Manly Art Gallery & Museum is a unique experience – less of an exhibition than a single work of art divided into different segments that unfold over time. This holistic … More


Gwangju, Busan & SeMA Biennale

October 4, 2014
Chiharu Shiota's 'Accumulation Searching for Destination' (Photos courtesy of the Busan Biennale)

In South Korea the word “exhibition” seems to be translated as “biennale”. At the moment the Koreans are hosting at least four biennales, if one includes the Daegu Photography Biennale (until 19 October). Last week I managed to catch the other three, two of which have begun in an atmosphere of high controversy. The most … More


Head On, Michael Johnson & Eva Breuer

May 31, 2014
Deborah Paauwe,
'Crown of Roses', 2013 @ Michael Reid Gallery

Moshe Rosensveig is the Dr. Frankenstein of Australian photography – Head On, the photo festival he started five years ago, has become a certified monster. There are no fewer than 37 ‘featured’ exhibitions and almost 70 ‘associated’ exhibitions spread across the city, involving an estimated 900 artists. The program also boasts 150 events, including workshops, … More


Richard Goodwin

March 8, 2014
Richard Goodwin's 'Third World Kline', 1992. Picture: Supplied Source

If you have driven along the Gore Hill Freeway you have already experienced the art of Richard Goodwin. The abstract patterns incised on the concrete, sound-baffling walls are taken from designs by architect, Walter Burley Griffin; the transcriptions of Aboriginal rock carvings pay homage to the area’s first inhabitants. It’s a typical Goodwin project: scrupulous … More


Sculpture City

February 15, 2014
Anne Ferguson's 'Plateau of Wings' (grey marble). Source SH Ervin

As proven by the annual Sculpture by the Sea exhibitions sculpture enjoys a widespread popularity, but this doesn’t translate into a thriving market. It remains much harder to sell a sculpture than a painting, as private buyers tend to view sculptures as large, cumbersome objects that have no place in the domestic environment. The pieces … More


Sculpture by the Sea 2013

November 9, 2013
Bert Flugelman, Semaphore, 2000, Sculpture by the Sea, Bondi 2013. Image from Instagram.

It was not the best of times, it was not worst of times. The 17th annual Sculpture by the Sea (SxS) features the usual mix of pieces that might be described as ‘serious’ sculpture, and others that are little more than gimmicks. It has become a familiar recipe but seems to go down well with … More


Sculpture by the Sea, Aarhus

June 15, 2013
Bjorn Godwin and Jette Gejl, The Garden of Natural Delights (After Bosch), Sculpture by the Sea, Aarhus, 2013

For the third time in six years Australia’s most popular exhibition has been transplanted to the coast of Jutland, drawing enormous crowds. Sculpture by the Sea first came to Denmark’s second city, Aarhus, in 2009, at the behest of Crown Prince Frederik and his Australian bride, Crown Princess Mary. Had the Danish Royal Family been … More


Roy Jackson, Savanhdary Vongpoothorn, Kirsteen Pieterse, Vika Begalska

March 16, 2013
Roy Jackson, To Moment Day Today, 2010, acrylic and oil stick on board, 214 x 183cm

Last week I was reminded of the gulf that exists between the art world and the rest of the world, when ABC radio asked me to comment on the Mayor of Newcastle’s view that funding for a new regional gallery should come from selling works in the collection. His logic was: the holdings of the … More


Succès de Scandale in Adelaide

February 22, 2013
Berlinde De Bruyckere, Belgium, born 1964, We are all flesh, 2011 12,  >> Ghent, epoxy, iron, horse skin, steal, 750.0 x 175.0 x 150.0 cm, Art Gallery of South Australia

Letters to The Adelaide Advertiser: “I am absolutely apalled and disgusted how this sculpture can be classed as ‘art’.” “I, for one, will not be going to see this outrageous monstrosity.” “The picture of a horse hanging, with no head, displayed as art was disgusting. I will never again visit the Art Gallery if they … More


Linde Ivimey

February 16, 2013
Linde Ivemey, Twelve Apostles, 2006, acrylic resin, wood, steel armature, dyed cotton and silk, natural  fibre, acrylic fibre, cast and natural cow, sheep , turkey and  chicken bones, seed pods, shell, echidna quills, porcupine quills,  found objects, laundry lint, feather

Linde Ivimey is the most conspicuous beneficiary of the Gothic turn that Australian contemporary art has taken over the past few years. A decade ago she was virtually unknown, making a living by sculpting cakes while pursuing sculpture in her spare time. Nowadays her pieces are eagerly sought after by private collectors and public galleries. … More


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