Warning: Cannot modify header information - headers already sent by (output started at /clientdata/zeus-dynamic-1/j/o/johnmcdonald.net.au/www/index.php:44) in /clientdata/zeus-dynamic-1/j/o/johnmcdonald.net.au/www/wp-config.php on line 53
sculpture | John McDonald

sculpture

Harrie Fasher: The Last Charge

February 16, 2018
Harry Fasher's 'The Last Charge' (2017)

How many artists can look back on their careers and identify an ‘I have arrived’ moment? For Picasso that moment came in 1907 with Les Demoiselles d’Avignon, for Sidney Nolan, it was the first Ned Kelly series of 1946-47. Damien Hirst exhibited his dead shark in formaldehyde in 1991, the following year Jeff Koons showed … More


Hyper Real

January 25, 2018
Ron Mueck, 'Pregnant Woman' (2002)

Hyper Real at the National Gallery of Australia is one of those exhibitions that must have seemed like a great idea at the time. Realism may appear to be the most obvious approach to making art, but it has been the exception rather than the rule throughout different cultures and epochs. The Seated Scribe of … More


Sculpture by the Sea 2017

October 27, 2017
David Ball's 'Orb' took out the big prize

Sculpture by the Sea is 21 years old and everyone is invited to the party. From the moment the show opened last week the walk from Bondi to Tamarama was crowded with sightseers, school groups, and tourists speaking a confusion of languages worthy of the Tower of Babel. Cameras and mobile phones were clicking relentlessly. … More


Hilarie Mais

September 30, 2017
Hilarie Mais, 'reflection/reach' (2015) & 'reflection/feather' (2016)

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie … More


Bronwyn Oliver

January 6, 2017
Bronwyn Oliver, 'Umbra' 2003, copper, 110 x 110 x 20 cm. Private collection ©Estate of Bronwyn Oliver. Courtesy Roslyn Oxley9 Gallery, Sydney

All artists are ultimately judged not by their biographies and personalities, but by what they leave behind. It doesn’t matter what sins they might have committed, or what trails of heartbreak and devastation they left in their wake. We might deplore Gauguin’s narcissism and perversity, but it doesn’t mean we think less of his paintings. … More


Sculpture by the Sea 2016 & Zadok Ben-David

October 28, 2016
Nicole Larkin, Dynamics in Impermanence. Photo: Clyde Yee

Sculpture By the Sea has prospered on the idea that the dramatic landscape of the Bondi foreshores provides a brilliant showcase for art. Last Sunday this view was comprehensively rejected by Mother Nature who had a tantrum and threw everything at the exhibition. There have been years when I’ve trudged between Bondi and Tamarama in … More


John Olsen: The You Beaut Country

October 7, 2016
John Olsen, 'Where the bee sucks, there suck I' (1984-86)

John Olsen has always been larger-than-life – a quality that has fostered both adulation and irritation. In the 1950s when he was still searching for a direction, Olsen did some thinking about the nature of art. “If it’s not a game there’s something wrong,” he concluded. According to his biographer, Darleen Bungey, this would become … More


Marion Borgelt & Paul Selwood

September 17, 2016
Paul Selwood's Green Mountain

Ever since mayor, Jeff McCloy, decided that Newcastle Art Gallery couldn’t afford a renovation and didn’t need a director, the place has been as lively as a wet weekend in Miami. This has been a disaster for one of Australia’s leading regional galleries. Perhaps only Ballarat and Bendigo could claim to have more important collections, … More


Art Stage Jakarta

August 12, 2016
Art Stage Jakarta: Taking Indonesian Art Global

For over a decade Indonesia has been the worst-kept secret in contemporary art. The wave has been building and breaking since 1998 when the repressive reign of President Suharto came to an end. Yet the origins of the movement go much further back, before the fragile roots of democracy could take hold. In the past … More


Degas

July 28, 2016
Edgar Degas
Group of dancers (red skirts) (Groupe de danseuses (Jupes rouges)) 1895–1900
pastel
77.0 x 58.0 cm
Lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council: from the Burrell Collection with the approval of the Burrell Trustees (35.243) © CSG CIC Glasgow Museums Collection

Degas had a dread of publicity and an intense dislike of journalists. “Those people trap you in your bed,” he grumbled, “strip off your shirt, corner you in the street, and when you complain, they say: ‘You belong to the public.’” Almost a hundred years after his death, Hilaire-Germain-Edgar Degas (1834-1917) has become public property … More