S.H. Ervin Gallery

Five Decades at Watters Gallery

September 27, 2014
Richard Larter, 'Pause for thought' (detail) (1973)

On 18 November Watters Gallery will be celebrating its 50th birthday. This is an amazing achievement in a field in which most players never make it through a decade. Commercial art galleries are the economic equivalents of the canary in the coal mine – being the first to suffer in times of recession as people … More


Salon des Refusés 2014

August 9, 2014
Nick Stathopoulo, Ugly, Portrait of Robert Hoge, acrylic and oil on linen

So much has already been written about Sydney’s $9.3 million public sculpture proposals that I’m in two minds whether to comment or leave it alone. Nevertheless, it’s an issue that won’t go away. It’s depressing that the very idea of a city council spending money on art brings out the philistine in a large proportion … More


Arthur Boyd: An Active Witness

June 28, 2014
Arthur Boyd, Australia, (1920 – 1999), 'Persecuted lovers', 1957-58.

Arthur Boyd (1920-99) was one of Australian art’s leading painters and one of its greatest mysteries. In the preface to her comprehensive biography, published in 2007, Darleen Bungey quotes Boyd’s youngest daughter, Polly, who calls her father “an enigma, probably one of the most secret people on earth.” This also acts as a disclaimer for … More


Bill Brown

May 3, 2014
Bill Brown, 'Canard' (2010), acrylic on canvas, 92 X 97cm. Photography: Mikaela Burstow

Many years ago, when I was still a baby art critic, I remember Bill Brown at a party bawling drunkenly that he was the best painter in Australia. Having never seen his work I was in no position to argue. Shortly afterwards, Brown had a solo exhibition at the old Macquarie Galleries. If he was … More


Utzon’s Opera House

January 6, 2014
Rew Hanks, Eternity, 2006, coloured linocut.

“It has made me feel glad I am alive in Australia today,” wrote Patrick White in 1965, after a tour of the Sydney Opera House with architect, Jorn Utzon. “At last we are going to have something worth having.” The official opening in 1973 was overshadowed by the long and painful building process, which began … More


Windows to the Sacred

September 14, 2013
Aleister Crowley, The Hierophant (study for Tarot), 1921

“Do what thou wilt shall be the whole of the law,” was the personal motto of Aleister Crowley (1875-1947) once known to the headline writers as “the Great Beast” and “The Wickedest Man Alive.” It was a philosophy that would endear him to the counter-culture of the sixties and make him a hero for rock … More


Salon de Refusés 2013 & Jenny Sages

April 20, 2013
Jenny Sages, Irina Baranova (handing on the baton), 2007, oil and encaustic on board

This year’s Archibald Prize was one of the most even contests in decades, but also one of the least memorable. There have been pictures in previous competitions that would have romped home in this year’s field, but the luck and timing was with Del Kathryn Barton, not with the ghosts of Archibalds past. If there … More


Angus Nivison: A Survey

January 12, 2013
Angus Nivison, Summer Cotton Bimbang, 2009, Acrylic, charcoal, pigments and gesso on canvas, 200 x 360cm

For those of us who spend their lives going in and out of art galleries there’s nothing better than being surprised. Before entering Angus Nivison’s survey at the S.H. Ervin Gallery I felt entirely familiar with this artist’s work. I’d even written a preface for the catalogue when the exhibition debuted at the Tamworth Regional … More


David Boyd

September 8, 2012
David Boyd's painting from his Murrumbeena series.

If one had to nominate a director to make a movie about the Boyd family, it would be hard to go past Wes Anderson. After watching his new film, Moonrise Kingdom, I imagined what he might do with the eccentric childhood of David Boyd and his siblings at their Murrumbeena property, Open Country. One painting … More


Salon des Refusés

April 28, 2012
Depiction of Geoffrey Lehmann by Tom Carment

In the brochure that accompanies this year’s Salon des Refusés at the S.H.Ervin Gallery, one reads that the show is “in the tradition of the renegade French Impressionists of the 1860s, who held a breakaway exhibition from the reactionary French Academy.” Leaving aside the fact that the term ‘Impressionism’ wasn’t used until the 1870s, this … More


click here | binary options scam
tamoxifen raloxifene, generic propecia uk, http://johnmcdonald.net.au/buying-generic-cialis/, http://johnmcdonald.net.au/unprescribed-clomid/, tramadol online ordering