July 28, 2016
Edgar Degas
Group of dancers (red skirts) (Groupe de danseuses (Jupes rouges)) 1895–1900
77.0 x 58.0 cm
Lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council: from the Burrell Collection with the approval of the Burrell Trustees (35.243) © CSG CIC Glasgow Museums Collection

Degas had a dread of publicity and an intense dislike of journalists. “Those people trap you in your bed,” he grumbled, “strip off your shirt, corner you in the street, and when you complain, they say: ‘You belong to the public.’” Almost a hundred years after his death, Hilaire-Germain-Edgar Degas (1834-1917) has become public property … More

Jenny Sages

July 28, 2016
Jenny Sages, Totems - group shot, encaustic, pigment & oil on board @King Street Gallery

“As artists we’re not nearly as interesting as writers,” Jenny Sages once confessed. “We’re all just finger painting, but when someone gives me a sentence I can remember, it triggers something very strong inside me.” In one of her new works Sages quotes a poem by Anna Akhmatova, the words picked out in tiny perforations … More

Frida and Diego

July 22, 2016
Frida Kahlo Diego on my mind (Self-portrait as Tehuana) 1943 The Jacques and Natasha Gelman Collection of Mexican Art © 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico DF

When 22-year-old Frida Kahlo married 42-year-old Diego Rivera in August 1929, her parents described it as the union of a dove and an elephant. This may have been a fair description of the newlyweds’ physical attributes, but Diego was also an elephant in terms of his public profile while Frida seemed as quiet as a … More

Archibald Prize 2016

July 15, 2016
Winner: Archibald Prize 2016, Louise Hearman, Barry, 2016

For a severe case of cultural vertigo try spending three weeks in the museums of Europe gazing at portraits by Rembrandt, Rubens and Beckmann, before hurrying back to Sydney for… the Archibald Prize! If travel broadens the mind it’s a positive disadvantage when it comes to appreciating the charms of this great Australian institution. Faced … More

Sally Gabori

July 8, 2016
My Country 2005Synthetic polymer paint on canvasCollection: The Estate of Mirdidingkingathi Juwarnda Sally Gabori© Mirdidingkingathi Juwarnda Sally Gabori. Licensed by Viscopy

Indigenous art is never purely “abstract” but it comes mighty close in the works of Mirdidingkingathi Juwarnda Sally Gabori (c.1924-2015), the subject of a eye-opening retrospective at the Queensland Art Gallery. Gabori’s paintings may refer to Bentick Island in the Gulf of Carpentaria, where she lived until the age of 24, but to call her … More

Telling Tales

July 1, 2016
Shirley Purdie, Daaloony (Green Plum Buchanania Obovata) from the series Goowoolem Gijam – Gija plants, 2013-16, ochre on canvas, 72 parts: 45 × 45 cm each, image courtesy the artist and Warmun Art Centre © the artist/Licensed by Viscopy 2016, photograph: Jessica Maurer

At the 1986 Adelaide Festival I attended a couple of evenings with American actor, Spalding Gray, who sat on a bare stage and delivered monologues. It sounds like a recipe for boredom but Gray’s performances were spell-binding – a revelation as to the power of simple, unadulterated story-telling. In tribal cultures the role of story-telling … More

Whistler’s Mother

June 3, 2016
James McNeill Whistler
American 1834–1903
Arrangement in grey and black no. 1: Portrait of the artist’s mother 1871 oil on canvas, 144.3 x 162.5 cm
Musée d’Orsay, Paris (RF 699) Photo : © RMN-Grand Palais (musée d'Orsay) / Jean Schormans

In the recent Head On photo festival, one memorable picture showed a side-on view of a dominatrix in a shiny black jump suit sitting in a curved chair. On the grey wall behind the sitter was a framed photo of a muscle-man’s torso covered in leather straps. It was Whistler’s Mother for bondage fiends and … More

Arthur Streeton & Kevin Lincoln

May 27, 2016
Kevin Lincoln, Pan and bowl, 2007, oil on canvas on board, on board 31.5 x 35.5cm. Private collection, © Kevin Lincoln / licensed by Viscopy, 2016

“If we so choose we can yet be the elect of the world, the last of the pastoralists, the thoroughbred Aryans in all their nobility.” These words were penned by J.S.MacDonald in the special Arthur Streeton Number of Art in Australia, October 1931. At the time MacDonald was director of the National Art Gallery of New … More

Jan Senbergs

May 12, 2016
Jan SENBERGS, Altered Parliament House 1, 1976, 
synthetic polymer paint and oil screenprint on canvas
182.5 x 243.5 cm
National Gallery of Victoria, Melbourne. Presented by Mrs Adrian Gibson as the winner of the 1976 Sir William Angliss Memorial Art Prize, 1977
A25-1977 © Jan Senbergs/Licensed by VISCOPY, Australia

There is one painting in Jan Senbergs: Observation – Imagination at the National Gallery of Victoria that should strike a chord with every true artist. The Swimmer (1995) shows a small figure battling his way through dark, choppy waves, with no shoreline in sight. It conjures up those moments in the studio when inspiration disappears, … More

Guy Warren

April 29, 2016
Guy Warren, Bathers (2), 1957

Guy Warren is the best proof that a positive attitude is the secret of eternal youth. Having just turned 95, Warren seems as vital as ever. I’ve known him for about 30 years and he hardly seems to have changed. He’s still painting and drawing, still driving, still alert and articulate. He’s one of those … More