painting

Archibald Prize 2016

July 15, 2016
Winner: Archibald Prize 2016, Louise Hearman, Barry, 2016

For a severe case of cultural vertigo try spending three weeks in the museums of Europe gazing at portraits by Rembrandt, Rubens and Beckmann, before hurrying back to Sydney for… the Archibald Prize! If travel broadens the mind it’s a positive disadvantage when it comes to appreciating the charms of this great Australian institution. Faced … More


Sally Gabori

July 8, 2016
My Country 2005Synthetic polymer paint on canvasCollection: The Estate of Mirdidingkingathi Juwarnda Sally Gabori© Mirdidingkingathi Juwarnda Sally Gabori. Licensed by Viscopy

Indigenous art is never purely “abstract” but it comes mighty close in the works of Mirdidingkingathi Juwarnda Sally Gabori (c.1924-2015), the subject of a eye-opening retrospective at the Queensland Art Gallery. Gabori’s paintings may refer to Bentick Island in the Gulf of Carpentaria, where she lived until the age of 24, but to call her … More


Telling Tales

July 1, 2016
Shirley Purdie, Daaloony (Green Plum Buchanania Obovata) from the series Goowoolem Gijam – Gija plants, 2013-16, ochre on canvas, 72 parts: 45 × 45 cm each, image courtesy the artist and Warmun Art Centre © the artist/Licensed by Viscopy 2016, photograph: Jessica Maurer

At the 1986 Adelaide Festival I attended a couple of evenings with American actor, Spalding Gray, who sat on a bare stage and delivered monologues. It sounds like a recipe for boredom but Gray’s performances were spell-binding – a revelation as to the power of simple, unadulterated story-telling. In tribal cultures the role of story-telling … More


Whistler’s Mother

June 3, 2016
James McNeill Whistler
American 1834–1903
Arrangement in grey and black no. 1: Portrait of the artist’s mother 1871 oil on canvas, 144.3 x 162.5 cm
Musée d’Orsay, Paris (RF 699) Photo : © RMN-Grand Palais (musée d'Orsay) / Jean Schormans

In the recent Head On photo festival, one memorable picture showed a side-on view of a dominatrix in a shiny black jump suit sitting in a curved chair. On the grey wall behind the sitter was a framed photo of a muscle-man’s torso covered in leather straps. It was Whistler’s Mother for bondage fiends and … More


Arthur Streeton & Kevin Lincoln

May 27, 2016
Kevin Lincoln, Pan and bowl, 2007, oil on canvas on board, on board 31.5 x 35.5cm. Private collection, © Kevin Lincoln / licensed by Viscopy, 2016

“If we so choose we can yet be the elect of the world, the last of the pastoralists, the thoroughbred Aryans in all their nobility.” These words were penned by J.S.MacDonald in the special Arthur Streeton Number of Art in Australia, October 1931. At the time MacDonald was director of the National Art Gallery of New … More


Jan Senbergs

May 12, 2016
Jan SENBERGS, Altered Parliament House 1, 1976, 
synthetic polymer paint and oil screenprint on canvas
182.5 x 243.5 cm
National Gallery of Victoria, Melbourne. Presented by Mrs Adrian Gibson as the winner of the 1976 Sir William Angliss Memorial Art Prize, 1977
A25-1977 © Jan Senbergs/Licensed by VISCOPY, Australia

There is one painting in Jan Senbergs: Observation – Imagination at the National Gallery of Victoria that should strike a chord with every true artist. The Swimmer (1995) shows a small figure battling his way through dark, choppy waves, with no shoreline in sight. It conjures up those moments in the studio when inspiration disappears, … More


Guy Warren

April 29, 2016
Guy Warren, Bathers (2), 1957

Guy Warren is the best proof that a positive attitude is the secret of eternal youth. Having just turned 95, Warren seems as vital as ever. I’ve known him for about 30 years and he hardly seems to have changed. He’s still painting and drawing, still driving, still alert and articulate. He’s one of those … More


Destination Sydney

January 22, 2016
Brett Whiteley, The balcony 2', (1975). AGNSW collection.

Destination Sydney is an inelegant title. It may be that Australian audiences only respond to the most banal and descriptive titles but that’s no reason for making shows sound like tourism initiatives. At the risk of coming across as a snob, I can only describe it as vulgar. Complaint registered, I’m happy to record that … More


Right Here Now

January 15, 2016
Jessie Pangas, 'House of Congress', 2015, synthetic polymer paint on linen, 91.5×91.5 cm. Courtesy the artist

Regional galleries: the crisis that never ends. A few weeks ago I was invited to Canberra by the Museum of Democracy at Old Parliament House to view a show called Right Here Now: A Powerful Regional Voice in our Democracy. This event, which has been put together by freelance curators, Holly Williams, Ivan Muñiz Reed … More


Tarnanthi

January 7, 2016
Yvonne Koolmatrie, Ngarrindjeri people, South Australia, Shrimp scoop, 2015, spiny-headed sedge (Cyperus gymnocaulos); Acquisition through TARNANTHI | Festival of Contemporary Aboriginal and Torres Strait Islander Art supported by BHP Billiton 2015, Art Gallery of South Australia, Adelaide. Courtesy the artist and Aboriginal & Pacific Art, Sydney, photo: Jenni Carter.

“In the Kaurna language of the Adelaide Plains,” writes curator, Nici Cumston, “Tarnanthi means ‘to rise, come forth, spring up or appear’. It heralds the animation of new ideas and new beginnings such as the rising sun, a universal metaphor across cultures for the agency of imagination.” Tarnanthi is the title of new Festival of … More