Louise Hearman

October 15, 2016
An image of Untitled #1279 by Louise Hearman

Smokers who have become desensitised to the horror photos on cigarette packets may be surprised to find the same images exquisitely rendered in paintings at the Museum of Contemporary Art. In a survey of Louise Hearman’s work, a glass case in a side room offers an insight into the strange, unsettling pictures found in the … More


October 14, 2016
Untitled #1118, 2005, oil on composition board, Museum of Contemporary Art, donated through the Australian Government’s Cultural Gifts Program by Michael Hawker, 2009

I think I surrendered obediently to the secret laws which led me to form, as best as I could, and following my dream, the things into which I have put my entire being.[1] Odilon Redon, To Myself Like Des Esseintes, the antihero of Huysmans’s cult novel of 1884, Against the Grain (À rebours), Louise Hearman … More

John Olsen: The You Beaut Country

October 7, 2016
John Olsen, 'Where the bee sucks, there suck I' (1984-86)

John Olsen has always been larger-than-life – a quality that has fostered both adulation and irritation. In the 1950s when he was still searching for a direction, Olsen did some thinking about the nature of art. “If it’s not a game there’s something wrong,” he concluded. According to his biographer, Darleen Bungey, this would become … More

Marion Borgelt & Paul Selwood

September 17, 2016
Paul Selwood's Green Mountain

Ever since mayor, Jeff McCloy, decided that Newcastle Art Gallery couldn’t afford a renovation and didn’t need a director, the place has been as lively as a wet weekend in Miami. This has been a disaster for one of Australia’s leading regional galleries. Perhaps only Ballarat and Bendigo could claim to have more important collections, … More

Salon des Refusés 2016

August 5, 2016
Glenn Morgan's 'Self-portrait in shed'.

Émile Zola gave us a vivid, barely-fictionalised account of the first Salon des Refusés, in his novel, L’Oeuvre (AKA. The Masterpiece): “He could see the visitors’ mouths gaping, their eyes narrowing, from the moment they passed the door; across the room, a group of young people were staggering back against the archway as if someone … More

David Hockney

August 4, 2016
David Hockney
English 1937–
Barry Humphries, 26-28 March 2015
synthetic polymer paint on canvas
121.9 x 91.4 cm (each)
Selection of approximately 80 portraits, subject selection to be confirmed
Hockney Pictures
© David Hockney

“Los Angeles is an acquired taste,” says David Hockney, although he admits he fell for the city on his very first visit in 1964. After growing up in Yorkshire, Hockney was excited by the “eroticism” of L.A. It was like nothing he’d seen or imagined. To a young, gay artist from Britain’s gloomy north it … More


July 28, 2016
Edgar Degas
Group of dancers (red skirts) (Groupe de danseuses (Jupes rouges)) 1895–1900
77.0 x 58.0 cm
Lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council: from the Burrell Collection with the approval of the Burrell Trustees (35.243) © CSG CIC Glasgow Museums Collection

Degas had a dread of publicity and an intense dislike of journalists. “Those people trap you in your bed,” he grumbled, “strip off your shirt, corner you in the street, and when you complain, they say: ‘You belong to the public.’” Almost a hundred years after his death, Hilaire-Germain-Edgar Degas (1834-1917) has become public property … More

Jenny Sages

July 28, 2016
Jenny Sages, Totems - group shot, encaustic, pigment & oil on board @King Street Gallery

“As artists we’re not nearly as interesting as writers,” Jenny Sages once confessed. “We’re all just finger painting, but when someone gives me a sentence I can remember, it triggers something very strong inside me.” In one of her new works Sages quotes a poem by Anna Akhmatova, the words picked out in tiny perforations … More

Frida and Diego

July 22, 2016
Frida Kahlo Diego on my mind (Self-portrait as Tehuana) 1943 The Jacques and Natasha Gelman Collection of Mexican Art © 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico DF

When 22-year-old Frida Kahlo married 42-year-old Diego Rivera in August 1929, her parents described it as the union of a dove and an elephant. This may have been a fair description of the newlyweds’ physical attributes, but Diego was also an elephant in terms of his public profile while Frida seemed as quiet as a … More

Archibald Prize 2016

July 15, 2016
Winner: Archibald Prize 2016, Louise Hearman, Barry, 2016

For a severe case of cultural vertigo try spending three weeks in the museums of Europe gazing at portraits by Rembrandt, Rubens and Beckmann, before hurrying back to Sydney for… the Archibald Prize! If travel broadens the mind it’s a positive disadvantage when it comes to appreciating the charms of this great Australian institution. Faced … More

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