John McDonald

After a winter or two of discontent the National Gallery of Australia is once again open for business. It’s not that one hasn’t been able to visit this renowned institution, it’s just that nobody seemed to be doing so. With a scandal over looted Indian art, and a James Turrell show that ran for no … More

Betty Churcher (1931-2015) knew that if you wanted the best loans for an international exhibition you had to get the museum directors of the world to go along with the journey. This required an initial charm offensive followed by a persuasive argument about the nature of the show you were proposing. It couldn’t be a … More

Light is the crucial element for almost every great painter, from Caravaggio to Turner to Monet. Manipulating paint on canvas to convincingly reproduce the effects of sunshine or darkness is a skill that separates the master from the amateur. In Australian art one thinks of the blaze of light in Streeton’s early paintings, or the … More

French art historian, Daniel Arasse, hopes an audience might be able to stand in front of one masterpiece for at least five minutes. It doesn’t sound a big ask, but spend time in a gallery and watch how long people linger in front of even the most famous works of art. Five minutes would be … More

Arthur Boyd (1920-99) was one of Australian art’s leading painters and one of its greatest mysteries. In the preface to her comprehensive biography, published in 2007, Darleen Bungey quotes Boyd’s youngest daughter, Polly, who calls her father “an enigma, probably one of the most secret people on earth.” This also acts as a disclaimer for … More

It may be the stuff of popular culture but whenever I think of the Incas, Aztecs or Mayans the first images that spring to mind are from Mel Gibson’s Apocalypto (2006). This drama of native American life in the days before the Spanish conquest may be one of the most brutal and disturbing movies ever … More

My best art experience of the year happened on the other side of the planet, in a retrospective celebrating the 150th anniversary of the birth of Edvard Munch. The show, divided between the National Gallery and the Munch Museum in Olso, revealed an unrelenting intensity of vision. It featured the most complete collection of paintings … More

For more than 20 years Fiona Hall has been the obvious, dead-set, undeniable first choice to represent Australia at the Venice Biennale. It is a testimony to the acumen of our arts bureaucracy that in 2015 she will become the first artist to occupy a newly-built pavilion. Any other country might have rushed her into … More

Australia at the Royal Academy of Arts in London has echoes of Baz Luhrmann’s blockbuster movie of 2010. Like that overblown, incoherent concoction, the one-word title of the RA show suggests this is all you will ever need to know about Australian art. It presents itself as a definitive statement. Kathleen Soriano, Director of Exhibitions … More

For the long-anticipated show of Australian art at the Royal Academy the opening night was always going to be a joyous affair. The problem is that nobody looks at the art at an opening. Having already spent hours inspecting this exhibition I felt like a party pooper when people gushed: “Isn’t it wonderful!?” No, it’s … More