Museum of Contemporary Art

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Sun Xun

September 7, 2018

It may be a legacy of those heroic efforts Chairman Mao demanded at the time of the Great Leap Forward, or perhaps it’s mainly down to pressure of competition, but the Chinese art scene has the most stupendous work ethic. Go to any exhibition at the White Rabbit Gallery and there will always be one … More


John Mawurndjul: I Am the Old and the New

July 27, 2018

This year’s best exhibition title is: John Mawurndjul: I Am the Old and the New. A landmark retrospective at the Museum of Contemporary Art, the show demonstrates the paradox of bark painting: as one of the oldest forms of artistic expression and something completely new. This was inconceivable to the organisers of the Cologne Art … More


Sun Xun: Shapeshifter

July 13, 2018

“Whenever I find people putting a tag on my work I try to prove it untrue,” says Sun Xun. “I take pride in the fact that no-one can catch me. I will change the medium of my work or the style of my work. I’ll aim to be different every time, so that nobody can … More


John Mawurndjul: Bark Maestro

June 22, 2018

Here’s an art trivia question: “Who was the first Australian artist to be given a retrospective at two major European museums?” Answer: John Mawurndjul of western Arnhem Land, who in 2005-06 had his work shown at the Museum Tinguely in Basel, and the Sprengel Museum in Hannover. If you don’t remember seeing the exhibition when … More


Pipilotti Rist: Sip My Ocean

December 8, 2017

“I will always be grateful to popular culture,” Pipilotti Rist told an interviewer in 2001. As a recent video clip by Beyoncé shows, popular culture should also be grateful to her. Pipilotti Rist: Sip my Ocean, at the Museum of Contemporary Art reveals the many and various ways this remarkable Swiss multi-media artist embraces popular … More


Hilarie Mais

September 30, 2017

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie … More


Jenny Watson

September 8, 2017

One imagines teachers at the Julian Ashton Art School sending their pupils across the road to the Museum of Contemporary Art, to see Jenny Watson: The Fabric of Fantasy. For the traditionally-minded it’s an object lesson in how not to make art. If there are any cynics among those students, they might say: “…nevertheless, it … More


Tatsuo Miyajima

January 27, 2017

Tatsuo Miyajima is the kind of artist who stands out, even in the largest of exhibitions. My first glimpse of his work came at the 1988 Venice Biennale where his Sea of Time was the most talked-about piece on display. Amidst all the derivative and nondescript stuff that inhabits the specially curated component of the … More


Louise Hearman

October 15, 2016

Smokers who have become desensitised to the horror photos on cigarette packets may be surprised to find the same images exquisitely rendered in paintings at the Museum of Contemporary Art. In a survey of Louise Hearman’s work, a glass case in a side room offers an insight into the strange, unsettling pictures found in the … More


LOUISE HEARMAN: AGAINST THE GRAIN

October 14, 2016

I think I surrendered obediently to the secret laws which led me to form, as best as I could, and following my dream, the things into which I have put my entire being.[1] Odilon Redon, To Myself Like Des Esseintes, the antihero of Huysmans’s cult novel of 1884, Against the Grain (À rebours), Louise Hearman … More


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