landscape

Sally Gabori

July 8, 2016
My Country 2005Synthetic polymer paint on canvasCollection: The Estate of Mirdidingkingathi Juwarnda Sally Gabori© Mirdidingkingathi Juwarnda Sally Gabori. Licensed by Viscopy

Indigenous art is never purely “abstract” but it comes mighty close in the works of Mirdidingkingathi Juwarnda Sally Gabori (c.1924-2015), the subject of a eye-opening retrospective at the Queensland Art Gallery. Gabori’s paintings may refer to Bentick Island in the Gulf of Carpentaria, where she lived until the age of 24, but to call her … More


Arthur Streeton & Kevin Lincoln

May 27, 2016
Kevin Lincoln, Pan and bowl, 2007, oil on canvas on board, on board 31.5 x 35.5cm. Private collection, © Kevin Lincoln / licensed by Viscopy, 2016

“If we so choose we can yet be the elect of the world, the last of the pastoralists, the thoroughbred Aryans in all their nobility.” These words were penned by J.S.MacDonald in the special Arthur Streeton Number of Art in Australia, October 1931. At the time MacDonald was director of the National Art Gallery of New … More


Jan Senbergs

May 12, 2016
Jan SENBERGS, Altered Parliament House 1, 1976, 
synthetic polymer paint and oil screenprint on canvas
182.5 x 243.5 cm
National Gallery of Victoria, Melbourne. Presented by Mrs Adrian Gibson as the winner of the 1976 Sir William Angliss Memorial Art Prize, 1977
A25-1977 © Jan Senbergs/Licensed by VISCOPY, Australia

There is one painting in Jan Senbergs: Observation – Imagination at the National Gallery of Victoria that should strike a chord with every true artist. The Swimmer (1995) shows a small figure battling his way through dark, choppy waves, with no shoreline in sight. It conjures up those moments in the studio when inspiration disappears, … More


Head On 2016

May 6, 2016
Daniella Zalcman's Signs of Your Identity @ Festival Hub Central

Sydney loves grand, all-encompassing events, and Head On has become one of the most eagerly awaited festivals in the cultural calendar. This year’s show is distributed among 60 public and private venues spread throughout the city, the suburbs, and other parts of the state. Twenty major international photographers will be participating in talks and workshops … More


Guy Warren

April 29, 2016
Guy Warren, Bathers (2), 1957

Guy Warren is the best proof that a positive attitude is the secret of eternal youth. Having just turned 95, Warren seems as vital as ever. I’ve known him for about 30 years and he hardly seems to have changed. He’s still painting and drawing, still driving, still alert and articulate. He’s one of those … More


Ink Remix & Mikhael Subotzky

April 22, 2016
YAO Jui-chung, Yao's Journey to Australia. 2015, biro, blue ink with gold leaf on India handmade paper, 195 x 539 cm.

Mention Chinese art and most people think of brush-and-ink painting, a medium that has been around for at least 2,000 years. The image that springs to mind is of a craggy mountain with a sprinkling of equally contorted trees. The scene may be wreathed in mist, with a tiny sage perched on a ledge. In … More


William Yaxley & Edwin Wilson

April 14, 2016
William Yaxley, 'Listening to the Rolling Stones (Yeppoon)',1986, oil on composition board, 63.5 x 64 cm, University of Queensland, purchased 2011

This job entails constant requests to open exhibitions but most are politely declined. So it was rare for me, last week, to undertake openings on successive nights in two different parts of the country. The first was a survey by Edwin Wilson at that proudly unfashionable venue, the Royal Art Society, Lavender Bay. The second … More


Lloyd Rees

March 17, 2016
Lloyd Rees (1895-1988), Port Jackson fig tree 1934, pencil. Collection of The University of Queensland. Gift of Dr James Vincent Duhig, 1949.  © Lloyd Rees Estate/Licensed by Viscopy, 2015

This weekend sees the launch of the 20th Biennale of Sydney, the most high-profile event in the Australian art calendar. As usual I’ll devote two columns to this mega-exhibition, but in the meantime there is one very different show that has waited a little too long for attention. Lloyd Rees: Painting with Pencil 1930-36, at … More


Country & Western

November 13, 2015
William Robinson, 'Shaded pool Carnarvon', oil on canvas, 92 x 122cm, 2008, Rockhampton Art Gallery collection

As Country & Western: landscape re-imagined tours Australia, it will leave a trail of disappointed music fans. The title seems to promise some mystical conjunction of landscape painting and Slim Dusty. In reality it’s all landscape. At the S.H.Ervin Gallery there is not even the sound of a guitar twanging in the background. It makes … More


After Utopia

September 5, 2015
IAN WOO, We Have Crossed The Lake, 2009, acrylic on linen, 194 × 244 cm. Courtesy Singapore Art Museum.

Irony has never been a big feature of life in Singapore, but perhaps it’s catching on. Of all nations on the planet, Singapore is arguably the closest thing to a social laboratory, where economic and cultural programs are dreamt up by a paternalistic state and broadly accepted by the population. This centralised control has made … More