landscape

Salon des Refusés 2014

August 9, 2014
Nick Stathopoulo, Ugly, Portrait of Robert Hoge, acrylic and oil on linen

So much has already been written about Sydney’s $9.3 million public sculpture proposals that I’m in two minds whether to comment or leave it alone. Nevertheless, it’s an issue that won’t go away. It’s depressing that the very idea of a city council spending money on art brings out the philistine in a large proportion … More


Bigger is Better

November 8, 2013
David Hockney, Yosemite I, October 16th 2011. iPad Drawing printed on six sheets of paper (71 3/4 x 42 3/4 inches each), mounted on six sheets of Dibond, 143 1/2 x 128 1/4 inches overall. © 2013 David Hockney

David Hockney broke all previous attendance records at the Royal Academy of Arts last year, with his show A Bigger Picture. The RA tells us that 650,000 people crowded through those galleries to see a show largely devoted to landscapes of Yorkshire, the artist’s birthplace. It sounds hard to believe, until one sees David Hockney: A Bigger … More


William Robinson, Aida Tomescu, Evelyn Kotai

August 25, 2012
William Robinson: Afternoon light Springbrook 2011, oil on linen, 110 x 162cm

Fred Williams used to say that if you can’t paint a portrait then your art is in trouble. He would have been surprised to see so many portraits included in his recent retrospective, as they were only ever a diversion from his landscape paintings. For an artist there is always the danger that one day … More


Not the Way Home, Damaged

June 16, 2012
Elisabeth Cummings Creek Bed Fowlers Gap 2011 oil on canvas 115 x 130cm

In recent years there has been a spate of projects in which a group of artists are taken to some far-flung location and invited to respond to a new environment. The end result is a group exhibition that gathers together works made on the spot, and those created afterwards in the studio from memories, sketches … More


Euan Macleod: The Shadow Line

May 22, 2012
Screen shot 2012-06-27 at 12.16.43 AM

Euan Macleod may be a landscape painter but it often seems as if the physical world is not his principle focus. Although he may stand for hours painting en plein air; although his pictures may reflect the recognisable features of a particular place, Macleod’s true subject is to be found within his own mind. The … More


Elisabeth Cummings

January 21, 2012
Elisabeth Cummings, Magnetic Termite Mounds, 2011

A recent press release from the National Gallery of Australia announces an exhibition of 200 years of Australian landscape to be held at the Royal Academy, London, in September 2013. This is a long-overdue event, and it is to be hoped the NGA takes the opportunity to make the show something more than a historical … More


Fred Williams

September 10, 2011
Fred Williams, You Yangs landscape, oil on composition board

When the previous retrospective of an artist’s work contained no fewer than 417 pieces, it is inevitable that a new exhibition of about 120 pictures will be known as the ‘smaller’ show. That earlier Fred Williams’s mega-retrospective was held at the National Gallery of Australia in 1987, but I still have a vivid recollection of … More


Goodbye Margaret, hello Brisbane

July 31, 2011
Margaret Olley sketching in Newcastle, 1965

There are a number of phone calls that I dread, although they are inevitable. One arrived last Wednesday when the SMH Arts Editor, Clare Morgan, rang to tell me that Margaret Olley had died. Margaret has been a fixture on the Australian art scene since the 1940s, and it would be difficult to think of … More


Eugene von Guérard

July 23, 2011
Eugene Von Guerard NGV

In the entire history of Australian art, no painter has ever been through greater extremes of adulation and neglect than Eugene von Guérard (1811-1901). In the 1860s he was recognised as the finest landscapist in the colony, but by the 1870s his reputation was in decline. In the following century he was all but forgotten. … More


William Robinson

May 14, 2011
William Robinson, Creation landscape, darkness and light (centre panel for 'The Creation Series') 1988 Oil on linen

Looking at this year’s dismal selection for the Wynne Prize at the Art Gallery of NSW, I couldn’t help thinking that the most average landscape by William Robinson, who won the prize in 1990 and 1996, would have murdered everything else in the room. More


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