landscape

Guy Warren

April 29, 2016
Guy Warren, Bathers (2), 1957

Guy Warren is the best proof that a positive attitude is the secret of eternal youth. Having just turned 95, Warren seems as vital as ever. I’ve known him for about 30 years and he hardly seems to have changed. He’s still painting and drawing, still driving, still alert and articulate. He’s one of those … More


Ink Remix & Mikhael Subotzky

April 22, 2016
YAO Jui-chung, Yao's Journey to Australia. 2015, biro, blue ink with gold leaf on India handmade paper, 195 x 539 cm.

Mention Chinese art and most people think of brush-and-ink painting, a medium that has been around for at least 2,000 years. The image that springs to mind is of a craggy mountain with a sprinkling of equally contorted trees. The scene may be wreathed in mist, with a tiny sage perched on a ledge. In … More


William Yaxley & Edwin Wilson

April 14, 2016
William Yaxley, 'Listening to the Rolling Stones (Yeppoon)',1986, oil on composition board, 63.5 x 64 cm, University of Queensland, purchased 2011

This job entails constant requests to open exhibitions but most are politely declined. So it was rare for me, last week, to undertake openings on successive nights in two different parts of the country. The first was a survey by Edwin Wilson at that proudly unfashionable venue, the Royal Art Society, Lavender Bay. The second … More


Lloyd Rees

March 17, 2016
Lloyd Rees (1895-1988), Port Jackson fig tree 1934, pencil. Collection of The University of Queensland. Gift of Dr James Vincent Duhig, 1949.  © Lloyd Rees Estate/Licensed by Viscopy, 2015

This weekend sees the launch of the 20th Biennale of Sydney, the most high-profile event in the Australian art calendar. As usual I’ll devote two columns to this mega-exhibition, but in the meantime there is one very different show that has waited a little too long for attention. Lloyd Rees: Painting with Pencil 1930-36, at … More


Country & Western

November 13, 2015
William Robinson, 'Shaded pool Carnarvon', oil on canvas, 92 x 122cm, 2008, Rockhampton Art Gallery collection

As Country & Western: landscape re-imagined tours Australia, it will leave a trail of disappointed music fans. The title seems to promise some mystical conjunction of landscape painting and Slim Dusty. In reality it’s all landscape. At the S.H.Ervin Gallery there is not even the sound of a guitar twanging in the background. It makes … More


After Utopia

September 5, 2015
IAN WOO, We Have Crossed The Lake, 2009, acrylic on linen, 194 × 244 cm. Courtesy Singapore Art Museum.

Irony has never been a big feature of life in Singapore, but perhaps it’s catching on. Of all nations on the planet, Singapore is arguably the closest thing to a social laboratory, where economic and cultural programs are dreamt up by a paternalistic state and broadly accepted by the population. This centralised control has made … More


William Delafield Cook (1936-2015)

May 15, 2015
William Delafield Cook, A haystack, 1978

In an article of 1979, Bryan Robertson, a curator who did much to advance the cause of Australian art in London, wrote that William Delafield Cook’s paintings seemed to have “no discernible ‘Australian’ qualities.” Yet Cook, who spent much of his career living and working in Britain, remained devoted to the Australian landscape, never showing … More


FROM GALLIPOLI

May 2, 2015
Deirdre Bean, Image 1: 'Cape Helles', 2014, watercolour on paper and vellum. Image 2: '303 inch British Mk VII', 2014, watercolour on paper and vellum. Courtesy the artist

There’s a lonely stretch of hillocks: There’s a beach asleep and drear: There’s a battered broken fort beside the sea. There are sunken trampled graves: And a little rotting pier: And winding paths that wind unceasingly. There’s a torn and silent valley: There’s a tiny rivulet With some blood upon the stones beside its mouth. … More


Anzac Evolution

April 25, 2015
Image courtesy James Compton

Looking at Australia in the years before and after the First World War, one feels like asking: “What went wrong?” There was so much happening in those early years of nationhood, so many glorious ideals forged in the war itself, that the post-war years can only be seen as a lost opportunity. Constitutional historian, Helen … More


FROM GALLIPOLI

April 18, 2015
Luke Sciberras, 'Along the
Gallipoli Peninsula', 2014, oil on board, 60 x 84cm

When George Lambert travelled to the battlefields of Gallipoli in February 1919 he found a landscape transformed into “a perfect rabbit warren’, riven with trenches and littered with bones. “The jackals, damn them were chorusing their hate, the bones showed up white even in the faint dawn, and I felt rotten,” he wrote. “The worst … More