Installation Art

Annette Messager

September 6, 2014
Annette Messager, CHANCE, (2011), black net, wireImage courtesy the artist and Marian Goodman Gallery, Paris and New York

Annette Messager was born in the French provinces to a family of atheists who took a particular pleasure in the local Catholic church. Her father favoured the architecture, while Annette liked the stained glass windows. This biographical tidbit takes on significance when one considers the nature of Messager’s work, which draws freely on the iconography … More


19th Biennale of Sydney

March 29, 2014
Mircea Cantor, Sic Transit Gloria Mundi, 2012 (video still), HD video, 4 mins. Courtesy the artist; Galerie Yvon Lambert, Paris; Dvir Gallery, Tel Aviv; and Magazzino, Rome. Sound: Semantron of Putna Monastery.

Biennales thrive on controversy but there is a feeling of unease about this year’s headlines. No-one envisaged artists boycotting the Biennale because the founding sponsor has government contracts to manage detention centres. It was no cause for celebration when Transfield’s Luca Belgiorno-Nettis, one the few dedicated patrons of the arts in corporate Australia, felt obliged … More


Dark Heart: 2014 Adelaide Biennial

March 15, 2014
Alexander Seton, Soloist, 2012. Bianco carrara marble, 95 x 75 x 70cm. Photo: Per Ericson. Courtesy: the artist and Sullivan + Strumpf, Sydney

Before heading south for this year’s Adelaide Biennial I saw Opera Australia’s production of Tchaikovsky’s Eugene Onegin. Pushkin’s famous character is the archetypal ‘dark heart’. Onegin humiliates the young Tatiana, who has confessed her love for him. He plays a nasty joke on his best friend, and keeps going long after he should have stopped. … More


Sculpture City

February 15, 2014
Anne Ferguson's 'Plateau of Wings' (grey marble). Source SH Ervin

As proven by the annual Sculpture by the Sea exhibitions sculpture enjoys a widespread popularity, but this doesn’t translate into a thriving market. It remains much harder to sell a sculpture than a painting, as private buyers tend to view sculptures as large, cumbersome objects that have no place in the domestic environment. The pieces … More


Christian Boltanski

January 25, 2014
Christian Boltanski opening at Carriageworks

Life as a conveyor belt, taking us inexorably from birth to death, is not an original idea. Charlie Chaplin had the same thought in the famous sequence from Modern Times (1936) when the worker is dragged through the machine. Chaplin had a political agenda but the image also captured the helplessness and insignificance one feels … More


Melbourne Now

January 11, 2014
Ross COULTER
10,000 Paper Planes - Aftermath (1) 2011 
type C photograph
156 x 200 cm (image and sheet)
National Gallery of Victoria, Melbourne
Purchased NGV Foundation, 2012
2012.332

In Melbourne Now the National Gallery of Victoria has staged a sprawling, colossally ambitious survey of the city’s contemporary art that also includes architecture, design, dance, performance and more. Although the logistical achievement is impressive, the exhibition is an act of metropolitan navel-gazing on a scale inconceivable in any other Australian capital. The catalogue is … More


Cai Guo-Qiang

December 14, 2013
Cai Guo-Qiang, Hold On (installation view) Queensland Art Gallery, 2013

Cai Guo-Qiang is an artist who understands spectacle. In an international art scene as crowded as a commuter train at rush hour he creates large-scale installations that stop viewers in their tracks. Where so many artists are identified with a trademark style, Cai has managed to regularly turn over his themes and techniques. What all … More


Yoko Ono

November 30, 2013
Artist Yoko Ono, Schirn Kunsthalle in Frankfurt, 2013

For an artist who has devoted her career to peace, love and understanding, Yoko Ono’s press call at the Museum of Contemporary Art was unpleasantly regimented. Journalists and photographers were herded from room to room like errant sheep, and it was made clear that questions about John Lennon would not be welcome. The only problem … More


The Red Queen

July 6, 2013
Lindsay Seers, called Nowhere Less Now, 2012

It’s becoming difficult to remember what Hobart was like before David Walsh started his Museum of Old and New Art (MONA). Within two-and-a-half years this Gothic fortress of sex and death has eaten up the city more effectively than any movie monster ever ate Detroit. Every day a steady procession of tourists from all over … More


Venice Biennale 2013: The Encylopaedic Palace

June 8, 2013
Vadim Zakharov, Danaë, Installation view, Russian Pavilion

Every Venice Biennale is a talk fest – a place for the beautiful people of the art world to exchange opinions and business cards at endless parties. Unfortunately most of the talk is of a very tawdry nature: “I just loved the Ruritanian pavilion!” “Oh yeah, I loved it too!”  And so on, ad infinitum. … More


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