crime

Money Monster

June 3, 2016

At a Q & A last week, after the premiere of Money Monster, director, Jodie Foster spoke about her admiration for the films of Sidney Lumet. It was no revelation as her movie has resounding echoes of two Lumet classics – Dog Day Afternoon (1975) and Network (1976). There’s also a more-than-passing resemblance to Spike … More


The Nice Guys

May 26, 2016

Take Russell Crowe and Ryan Gosling, a sassy blonde teenager, and a salacious story that revolves around the Los Angeles porn industry circa 1977, and you have The Nice Guys. It’s not so much a formula film as half a dozen formulas that director, Shane Black, has mixed together to create a surprisingly fizzy cocktail. … More


Spanish Film Festival 2016

April 14, 2016

In the days of the infamous Motion Picture Production Code, which stretched from 1930 until the 1960s, Hollywood’s movie makers were constrained from producing any film that might lower the moral standards of its audience. This meant crime could never pay, while law-breakers always suffered for their sins. Innocence and goodness were invariably rewarded. For … More


A Bigger Splash

March 23, 2016

Ten years ago Ralph Fiennes was the model of a stiff-upper-lip character actor, the epitome of English reserve. There was, however, another persona biding its time until it could be unleashed upon an unsuspecting world. This Fiennes has given us a brutal warrior in Coriolanus, a sparkling portrait of Charles Dickens in The Invisible Woman, … More


The Hateful Eight

January 22, 2016

Each new film by Quentin Tarantino generates a storm of anticipation. We know what to expect, but initially The Hateful Eight took me by surprise. It is a long movie, divided into chapters, with an old-fashioned intermission. Instead of the usual gore fest the first half is all dialogue and scene-setting. If this appeals more … More


Point Break

January 7, 2016

There is no shortage of extraordinary nature cinematography in Point Break, but after watching The Revenant, it felt as artificial as a cartoon. The heavy imprint of CGI is all over this film, which is barely more than two hours of eye candy arranged over the flimsiest of plots. Before seeing this movie I would … More


Legend

October 16, 2015

Ronnie and Reggie Kray will forever be linked with the Monty Python sketch about the Piranha Brothers, Doug and Dinsdale. As you may recall, Dinsdale – “a cruel man, but fair” – liked to nail the occasional head to the floor, while Doug’s preferred weapon was sarcasm. There are plenty of moments in Legend, Brian … More


Black Mass

October 9, 2015

How many dud movies does it take before one can be over an actor? With his roles in films such as Mortdecai (2015) and Tusk (2014), Johnny Depp has been sailing close to the wind. It’s been a long time since he has worked harder on a character than he does with Boston gangster, James … More


Cut Snake

September 25, 2015

It’s a chilling prospect but we seem to be in the midst of a seventies revival. A growing number of new films are either set in the seventies or draw upon the music of that era. The latest is Tony Ayres’s Cut Snake, which takes us on an anti-nostalgic journey through the Australian suburban sprawl, … More


Dope

August 22, 2015

Dope is the surprise of the year. One might be excused for expecting an updated blaxploitation film, a mawkish coming-of-age saga, or a typically vulgar, sentimental teen comedy. Instead, Rick Famuwiya has given us a movie that is fast and funny, with a clever plot and crisp dialogue. Why can’t Australian directors make films like … More