Carriageworks

Sydney Contemporary 2017

September 15, 2017
Hahan, with his soon-to-be carved up mural

It was both pleasing and wryly amusing to learn that sales at this year’s Sydney Contemporary Art Fair topped $16 million. For a commercial gallery sector feeling unloved and unvisited this figure represents a resounding endorsement. Nevertheless, before breaking out the champagne it’s worth putting that achievement into perspective with a glance at Day One … More


The National

April 8, 2017
Khadim Ali's The Arrival of Demons at the MCA

One wonders if The National: New Australian Art is intended as a subtle riposte to the National Gallery of Victoria’s Melbourne Now of 2013-14. “No navel gazing here in Sydney – we’re bringing you art from all over the country.” The NGV’s bright idea may have been predicated on Melburnian self-esteem but final attendances topped … More


Francesco Clemente

September 2, 2016

No contemporary artist could be more elusive than Francesco Clemente, who was born in Italy in 1952 but divides his time between homes in New York and Varanasi. Although his output has been voluminous over the past 40 years it would be hard to point to any single picture and say it was his masterpiece. … More


Jompet Kuswidananto & Katthy Cavaliere

August 25, 2016
Jompet Kuswidananto's 'After Voices' at SCAF Sydney.

“Within the crowd there is equality,” wrote Elias Canetti, in his compelling, eccentric book, Crowds and Power (1960). “All demands for justice and all theories of equality ultimately derive their energy from the actual experience of equality familiar to anyone who has been part of a crowd.” Yet within that feeling of equality generated by … More


Biennale of Sydney 2016

March 23, 2016
Ming Wong, 'Windows On The World (Part 1)', 2014, mixed ... rkshop, Hong Kong. Photograph: Glenn Eugen Ellingsen

There’s a lot to like about the 20th Biennale of Sydney, but it isn’t necessarily the art. Curator Stephanie Rosenthal, born in Germany but employed by the Hayward Gallery in London, has proven herself to be one of the most committed of all Biennale directors. Previous incumbents have tended to fly into Australia for quick … More


Biennale of Sydney: First Impressions

March 23, 2016
Lee Mingwei, Guernica in Sand, 2006/2015, mixed-media interactive installation; sand, wooden island, lighting, 1300 x 643 cm. Courtesy of JUT Museum Pre-Opening Office, Taipei. Photograph: Taipei Fine Arts Museum

If the previous Biennale of Sydney gave the impression that artists were selected almost at random, the latest incarnation of Australia’s premier international art exhibition sends out the contrary message. Director, Stephanie Rosenthal, has so many reasons for every part of this show that one is left reeling. The theme this year is The future … More


El Anatsui non-lunch

February 4, 2016
Lunch with El Anatsui at the Old Clare Hotel

For an artist acclaimed as a ground-breaking pioneer for an entire continent, El Anatsui is amazingly laid-back. It may be because international fame and fortune didn’t arrive until 2004, when he was already 60 years old. It may be because he hails from a part of the world in which time is not always snapping … More


El Anatsui

February 4, 2016
EL ANATSUI, Adinkra Sasa (detail), 2003, fabric, aluminum and copper wire, 488 × 549 cm. Photo by Michael Young for ArtAsiaPacific

El Anatsui makes one feel there might actually be some substance in the talk of a globalised art world. The idea that artists from places other than Europe and America can be players on the contemporary scene has been around ever since Jean-Hubert Martin’s landmark exhibition, Magiciens de la Terre, held at the Centre Pompidou … More


Xavier Le Roy

November 19, 2015
Xavier Le Roy's 'Temporary Title' at Carriageworks, Sydney.

In 1984 the Tate Gallery in London held an exhibition called Have You Seen Sculpture From the Body? that put apparently abstract sculpture alongside photographs of nude models in motion. I thought of that obscure but innovative show last week when I visited Carriageworks for a rehearsal of Xavier Le Roy’s Temporary Title – an … More


Yangjiang Group & Zhang Huan

February 21, 2015
Yangjiang Group, Das Kapital Football (still), 2009, ink on xuan paper calligraphy, action, documentation, installation (two channel video: DV widescreen anamorphic, colour, with sound, ink on xuan paper carpet). Courtesy the artists and Vitamin Creative Space.

In Sydney the word “event” is always an understatement. The calendar is packed with one event after another, most of them growing more extravagant with each passing year. The procession begins with the Sydney Festival in January and continues until Christmas sends everyone home for a few days before the streets are packed again for … More