Australian artist

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John Russell: Australia’s French Impressionist

August 10, 2018

If Australian art history were a jigsaw puzzle John Russell would be the piece that doesn’t quite fit. It’s now commonplace to talk of “Australian Impressionists” but Russell is the only artist who genuinely matches the description. Everybody else, from Streeton and Roberts to McCubbin and Fox, pursued a version of Impressionism that owed a … More


Cressida Campbell: Who wants the world?

October 20, 2017

Berlin in January was cold, with snow falling in light drifts. Inside the CFA Gallery on Am Kupfergraben, just across the River Spree from the Museum Island, everything was bright, white and climate-controlled. In a large central gallery on the first floor were massive oil paintings by Australia’s most commercially successful painter, Tim Storrier – … More


Hilarie Mais

September 30, 2017

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie … More


Bill Henson

May 25, 2017

Walter Pater famously opined that all art aspires to the condition of music, but Bill Henson is an artist who views the boundaries between art, music and literature as completely porous. In his case one might go further and blur the lines between painting, sculpture and photography. No photographer is more skilled at creating images … More


Whiteley

May 13, 2017

It’s a happy fluke that the release of James Bogle’s documentary on Brett Whiteley coincides with an exhibition by Vincent Van Gogh at the National Gallery of Victoria. Of the many artists Whiteley idolised and copied, Van Gogh was his all-time favourite. They were on first-name terms, with Whiteley always referring to his hero as … More


Magic Mike: Michael Zavros

May 5, 2017

Any artist who paints with the quasi-photographic precision of Michael Zavros will always find admirers. After being subjected to more than a century of Modernist de-skilling the public is still turned to putty by virtuoso displays of technique, preferring the artist who can “really paint” to the one whose genius has to be explained by … More


Louise Hearman

October 15, 2016

Smokers who have become desensitised to the horror photos on cigarette packets may be surprised to find the same images exquisitely rendered in paintings at the Museum of Contemporary Art. In a survey of Louise Hearman’s work, a glass case in a side room offers an insight into the strange, unsettling pictures found in the … More


LOUISE HEARMAN: AGAINST THE GRAIN

October 14, 2016

I think I surrendered obediently to the secret laws which led me to form, as best as I could, and following my dream, the things into which I have put my entire being.[1] Odilon Redon, To Myself Like Des Esseintes, the antihero of Huysmans’s cult novel of 1884, Against the Grain (À rebours), Louise Hearman … More


John Olsen: The You Beaut Country

October 7, 2016

John Olsen has always been larger-than-life – a quality that has fostered both adulation and irritation. In the 1950s when he was still searching for a direction, Olsen did some thinking about the nature of art. “If it’s not a game there’s something wrong,” he concluded. According to his biographer, Darleen Bungey, this would become … More


Harold the Kangaroo: A Preface

August 19, 2016

Lord Byron gave the name ‘Harold’ a Romantic association in his famous poem, Childe Harold’s Pilgrimage (1818), and Australian art had a true Romantic hero in Harold ‘The Kangaroo’ Thornton. Like many heroic figures Harold was largely unappreciated in his own country, although he became a Bohemian celebrity in Amsterdam. This book is an important … More


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