John McDonald

In its first incarnation the Dobell Australian Drawing Biennial concentrated on landscape. For the second Biennial, subtitled Close to Home, curator Anne Ryan has come up with something much cooler, namely “narrative based on memory and experience”. This must be why nobody could tell me the theme of this year’s show when I asked. “It’s … More

“If we so choose we can yet be the elect of the world, the last of the pastoralists, the thoroughbred Aryans in all their nobility.” These words were penned by J.S.MacDonald in the special Arthur Streeton Number of Art in Australia, October 1931. At the time MacDonald was director of the National Art Gallery of New … More

Guy Warren is the best proof that a positive attitude is the secret of eternal youth. Having just turned 95, Warren seems as vital as ever. I’ve known him for about 30 years and he hardly seems to have changed. He’s still painting and drawing, still driving, still alert and articulate. He’s one of those … More

This weekend sees the launch of the 20th Biennale of Sydney, the most high-profile event in the Australian art calendar. As usual I’ll devote two columns to this mega-exhibition, but in the meantime there is one very different show that has waited a little too long for attention. Lloyd Rees: Painting with Pencil 1930-36, at … More

Destination Sydney is an inelegant title. It may be that Australian audiences only respond to the most banal and descriptive titles but that’s no reason for making shows sound like tourism initiatives. At the risk of coming across as a snob, I can only describe it as vulgar. Complaint registered, I’m happy to record that … More

Regional galleries: the crisis that never ends. A few weeks ago I was invited to Canberra by the Museum of Democracy at Old Parliament House to view a show called Right Here Now: A Powerful Regional Voice in our Democracy. This event, which has been put together by freelance curators, Holly Williams, Ivan Muñiz Reed … More

Tom Robert’s Bailed Up has been described by historian, Patrick McCarthy, who has written a book on the painting, as “probably Australia’s best known work of art”. The chief competition for this imaginary title would be Roberts’s other popular masterpiece, Shearing the Rams (1890). Few would dispute Roberts’s status as the pre-eminent Australian painter of … More

After a winter or two of discontent the National Gallery of Australia is once again open for business. It’s not that one hasn’t been able to visit this renowned institution, it’s just that nobody seemed to be doing so. With a scandal over looted Indian art, and a James Turrell show that ran for no … More

If a week is a long time in politics, three years is an eternity. At the opening of the 7th Asia Pacific Triennial in 2012, the Queensland Art Gallery was trying to forge a relationship with a new Premier who didn’t turn up for the launch; and an Arts Minister who admitted she’d never been … More

As Country & Western: landscape re-imagined tours Australia, it will leave a trail of disappointed music fans. The title seems to promise some mystical conjunction of landscape painting and Slim Dusty. In reality it’s all landscape. At the S.H.Ervin Gallery there is not even the sound of a guitar twanging in the background. It makes … More