Australian art

Tarnanthi 2017

November 2, 2017
The Kulata Juta project

Constitutional recognition for indigenous Australians is another one of those issues the government would prefer not to think about. Its proponents say it’s a matter of basic human rights but this term has been so weirdly politicised in recent years there are people who interpret a call for rights as opening the door to anarchy. … More


Sculpture by the Sea 2017

October 27, 2017
David Ball's 'Orb' took out the big prize

Sculpture by the Sea is 21 years old and everyone is invited to the party. From the moment the show opened last week the walk from Bondi to Tamarama was crowded with sightseers, school groups, and tourists speaking a confusion of languages worthy of the Tower of Babel. Cameras and mobile phones were clicking relentlessly. … More


Fred Williams in the You Yangs

September 21, 2017
Fred Williams, 'You Yangs Landscape' (1963)

Last year the Geelong Art Gallery held an exemplary survey of Arthur Streeton’s paintings made in Victoria’s Western Districts from 1920-32. The exhibition was a swansong for retiring director, Geoffrey Edwards. This year the gallery has marked the arrival of new director, Jason Smith, with a show of comparable importance: Fred Williams in the You … More


Sydney Contemporary 2017

September 15, 2017
Hahan, with his soon-to-be carved up mural

It was both pleasing and wryly amusing to learn that sales at this year’s Sydney Contemporary Art Fair topped $16 million. For a commercial gallery sector feeling unloved and unvisited this figure represents a resounding endorsement. Nevertheless, before breaking out the champagne it’s worth putting that achievement into perspective with a glance at Day One … More


Jenny Watson

September 8, 2017
Jenny Watson, '60s Dolly Bird' (2014)

One imagines teachers at the Julian Ashton Art School sending their pupils across the road to the Museum of Contemporary Art, to see Jenny Watson: The Fabric of Fantasy. For the traditionally-minded it’s an object lesson in how not to make art. If there are any cynics among those students, they might say: “…nevertheless, it … More


The Public Body.02

August 18, 2017
Regina José Galindo, a different take on real estate

Our age is one of unprecedented permissiveness and militant puritanism. Pornography of every description is available at the click of a keyboard, small children are sexualised in a manner that would have been inconceivable to our grandparents’ generation. Yet Newton’s third law applies in psychology as well as science: for every action, there is an … More


Salon des Refusés 2017

August 3, 2017
Wendy Sharpe: The Witching Hour - Elena Kats-Chernin (composer)

Every year I nurture a dim fantasy of a Salon des Refusés bristling with masterpieces rejected from the Archibald and Wynne Prizes by the Trustees of the Art Gallery of NSW. Every year I relinquish this thought almost as soon as I step into the S.H.Ervin Gallery. The Refusés was a great idea when it … More


The 2017 Archibald Prize

July 28, 2017
Mitch Cairns's Agatha Gothe-Snape, the first Archibald Prize winner with a green nose

By the usual Archibald Prize standards 2017 is a low key year. There are plenty of neat, correct entries, a touch of quirkiness, a bit of thick impasto, but nothing to get the pulse racing with delight or indignation. Unless, perhaps, you’re a lunatic right-winger who starts to foam at the mouth at the merest … More


Mad Love

July 22, 2017
Kathryn Del Barton's delirious stain through hair and flesh………and stain through fur and flesh………

Although we live in a world in which the ugliest forms of nationalism seem to be making a comeback there is one partial antidote: cultural exchange. As we become progressively more familiar with the art, music, film, fashion and cuisine of another country, the fear and suspicion of the Other is diminished. Japan, for instance, … More


Farewell Stills

July 15, 2017
Last day at Stills. 4th, 5th & 6th from the left: Sandy Edwards, Kathy Freedman, Bronwyn Rennex

Twenty-six years is a long time to be running a commercial gallery, let alone a gallery specialising in photography. When Kathy Freedman and her partners close Stills Gallery in mid-July, it will spell the end of a long adventure in convincing Sydney audiences that photography is art. Stills began life in a Paddington terrace house … More