Art Gallery of South Australia

>

Colours of Impressionism

April 26, 2018

Impressionism is probably the most popular art movement of all time – which would have been a surprise to those who participated in the first ‘Impressionist’ salon of 1874. The group was actually called Le Société anonyme des artistes, peintres, sculpteurs et graveurs, and included no fewer than 30 artists. The term “Impressionism” was drawn … More


The 2018 Adelaide Biennial: Divided Worlds

March 9, 2018

It’s a time-honoured tradition that large museum surveys of contemporary art should have titles so vague and all-encompassing as to be effectively meaningless. Yet it may be that with Divided Worlds, Erica Green, the curator of the 2018 Adelaide Biennial, has found a title that actually feels relevant. Two decades into the 21st century the … More


Tarnanthi 2017

November 2, 2017

Constitutional recognition for indigenous Australians is another one of those issues the government would prefer not to think about. Its proponents say it’s a matter of basic human rights but this term has been so weirdly politicised in recent years there are people who interpret a call for rights as opening the door to anarchy. … More


Versus Rodin

March 24, 2017

For public art museums these are dark times. As costs keep escalating and governments grow reluctant to provide necessary funds it becomes ever more urgent to work out what audiences actually want. Then comes the difficult balancing act between revenue-raisers and those shows that are part of a gallery’s wider responsibilities to our history and … More


Sappers and Shrapnel

January 13, 2017

I’m regretful about Sappers and Shrapnel: Contemporary Art and the Art of the Trenches at the Art Gallery of South Australia – not about the show but about how long it lingered in the queue before I could get down to Adelaide for a viewing. Exhibitions at the AGSA are often of a short duration … More


Tarnanthi

January 7, 2016

“In the Kaurna language of the Adelaide Plains,” writes curator, Nici Cumston, “Tarnanthi means ‘to rise, come forth, spring up or appear’. It heralds the animation of new ideas and new beginnings such as the rising sun, a universal metaphor across cultures for the agency of imagination.” Tarnanthi is the title of new Festival of … More


Treasure Ships

July 25, 2015

Treasure Ships: Art in the Age of Spices may be the most fascinating exhibition to be seen at an Australian public gallery this year. The bad news, from a purely local perspective, is that it will be shown only in Adelaide and Perth. It is the brainchild of James Bennett, Curator of Asian Art at … More


Fashion Icons

December 13, 2014

“We invent nothing,” said Christian Dior, the man who revolutionised fashion in the twentieth century, “we always start from something that has come before.” This refreshing admission seems an appropriate place to begin discussing the round of fashion shows dominating Australia’s art museums this summer. The essential exhibition is Fashion Icons: Masterpieces from the Collection … More


Dark Heart: 2014 Adelaide Biennial

March 15, 2014

Before heading south for this year’s Adelaide Biennial I saw Opera Australia’s production of Tchaikovsky’s Eugene Onegin. Pushkin’s famous character is the archetypal ‘dark heart’. Onegin humiliates the young Tatiana, who has confessed her love for him. He plays a nasty joke on his best friend, and keeps going long after he should have stopped. … More


Turner From the Tate

February 23, 2013

According to J.M.W. Turner, the secret of being a great artist was “damn’d hard work.” This is difficult to argue against, especially when said by a painter whose pictures came to define the Romantic era – that time when artists stopped being seen as tradesmen and aspired to the role of individual genius. Yet Turner … More


>