Art Gallery of NSW

Archibald Prize 2014

July 19, 2014
Fiona Lowry, 'Penelope Seidler', acrylic on canvas,
225 x 185 cm

Imagine if the Archibald Prize banned all portraits that relied on photographs. The number of entries would drop from 884 to something less than 100, while the exhibition would be dominated by amateurs and unknown artists. Even the subjects would be strangers to most viewers because it’s unlikely that anyone mildly famous could spare the … More


Theatre of Dreams, Theatre of Play

July 12, 2014
Details of Ko-omote mask, Edo period, 17th century

We’ve become accustomed to the idea that various species of animal are in danger of extinction and need to be preserved, but cultural forms are subject to analogous pressures. Commercial logic dictates that a species of theatre or performance will exist only when there is a paying audience. Many traditional forms owe their longevity to … More


Bill Brown

May 3, 2014
Bill Brown, 'Canard' (2010), acrylic on canvas, 92 X 97cm. Photography: Mikaela Burstow

Many years ago, when I was still a baby art critic, I remember Bill Brown at a party bawling drunkenly that he was the best painter in Australia. Having never seen his work I was in no position to argue. Shortly afterwards, Brown had a solo exhibition at the old Macquarie Galleries. If he was … More


Afghanistan

April 26, 2014
Afghanistan: Hidden Treasures from the National Museum, Kabul Ribbed bowl

“After Akcha,” wrote Robert Byron, in his legendary travel book, The Road to Oxiana (1937) “the colour of the landscape changed from lead to aluminium, pallid and deathly, as if the sun had been sucking away at its gaiety for thousands and thousands of years; for this was now the plain of Balkh, and Balkh … More


19th Biennale of Sydney

March 29, 2014
Mircea Cantor, Sic Transit Gloria Mundi, 2012 (video still), HD video, 4 mins. Courtesy the artist; Galerie Yvon Lambert, Paris; Dvir Gallery, Tel Aviv; and Magazzino, Rome. Sound: Semantron of Putna Monastery.

Biennales thrive on controversy but there is a feeling of unease about this year’s headlines. No-one envisaged artists boycotting the Biennale because the founding sponsor has government contracts to manage detention centres. It was no cause for celebration when Transfield’s Luca Belgiorno-Nettis, one the few dedicated patrons of the arts in corporate Australia, felt obliged … More


Richard Goodwin

March 8, 2014
Richard Goodwin's 'Third World Kline', 1992. Picture: Supplied Source

If you have driven along the Gore Hill Freeway you have already experienced the art of Richard Goodwin. The abstract patterns incised on the concrete, sound-baffling walls are taken from designs by architect, Walter Burley Griffin; the transcriptions of Aboriginal rock carvings pay homage to the area’s first inhabitants. It’s a typical Goodwin project: scrupulous … More


Sol LeWitt

March 1, 2014
Sol LeWitt, Non-geometric form (splotch), 1999 painted fiberglass, 62.2 x 50.8 x 14 cm, Art Gallery of New South Wales, John Kaldor Family Collection ©  Estate of Sol LeWitt

“Soulless Twit!” was the verdict from one local art identity, when I mentioned Sol LeWitt: Your mind is exactly at that line, at the Art Gallery of NSW. It’s a harsh call because LeWitt may not be the most expressive of artists but his precise, geometric work has that appeal we associate with anything so … More


Sculpture City

February 15, 2014
Anne Ferguson's 'Plateau of Wings' (grey marble). Source SH Ervin

As proven by the annual Sculpture by the Sea exhibitions sculpture enjoys a widespread popularity, but this doesn’t translate into a thriving market. It remains much harder to sell a sculpture than a painting, as private buyers tend to view sculptures as large, cumbersome objects that have no place in the domestic environment. The pieces … More


2013: The Best & Worst of the Visual Arts

January 6, 2014
Installation piece: Xu Zhen's In Just a Blink of an Eye, in the 27th Kaldor Art Project 13 Rooms. Photo: Janie Barrett

My best art experience of the year happened on the other side of the planet, in a retrospective celebrating the 150th anniversary of the birth of Edvard Munch. The show, divided between the National Gallery and the Munch Museum in Olso, revealed an unrelenting intensity of vision. It featured the most complete collection of paintings … More


America: Painting a Nation

November 23, 2013
Henry Inman
No-Tin (Wind), a Chippewa Chief 1832–1833
oil on canvas, 77.5 x 65.4 cm
Los Angeles County Museum of Art
Gift of the 2008 Collectors Committee
M.2008.58
Photo: Museum Associates/LACMA

“Thus in the beginning,” wrote the philosopher, John Locke in 1689, “all the world was America.” He was referring to a primitive state of social organisation being rapidly improved by British colonialism. Nowadays Locke’s words seem just as true, but it is because America has colonised the rest of the world. For much of the … More


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