Art Gallery of NSW

Frida and Diego

July 22, 2016
Frida Kahlo Diego on my mind (Self-portrait as Tehuana) 1943 The Jacques and Natasha Gelman Collection of Mexican Art © 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico DF

When 22-year-old Frida Kahlo married 42-year-old Diego Rivera in August 1929, her parents described it as the union of a dove and an elephant. This may have been a fair description of the newlyweds’ physical attributes, but Diego was also an elephant in terms of his public profile while Frida seemed as quiet as a … More


Archibald Prize 2016

July 15, 2016
Winner: Archibald Prize 2016, Louise Hearman, Barry, 2016

For a severe case of cultural vertigo try spending three weeks in the museums of Europe gazing at portraits by Rembrandt, Rubens and Beckmann, before hurrying back to Sydney for… the Archibald Prize! If travel broadens the mind it’s a positive disadvantage when it comes to appreciating the charms of this great Australian institution. Faced … More


Tang

June 10, 2016
Tang: Treasures from the Silk Road Capital showing at Art Gallery of NSW

Mention the Tang dynasty (618-907 CE) and I think of Robert Van Gulik’s character, Judge Dee – the Sherlock Holmes of ancient China. Di Renjie (c.630-c.700) was a real magistrate of the Tang period but became the fictionalised hero of a series of detective stories set in those times. The inspiration came from a story … More


Biennale of Sydney 2016

March 23, 2016
Ming Wong, 'Windows On The World (Part 1)', 2014, mixed ... rkshop, Hong Kong. Photograph: Glenn Eugen Ellingsen

There’s a lot to like about the 20th Biennale of Sydney, but it isn’t necessarily the art. Curator Stephanie Rosenthal, born in Germany but employed by the Hayward Gallery in London, has proven herself to be one of the most committed of all Biennale directors. Previous incumbents have tended to fly into Australia for quick … More


Biennale of Sydney: First Impressions

March 23, 2016
Lee Mingwei, Guernica in Sand, 2006/2015, mixed-media interactive installation; sand, wooden island, lighting, 1300 x 643 cm. Courtesy of JUT Museum Pre-Opening Office, Taipei. Photograph: Taipei Fine Arts Museum

If the previous Biennale of Sydney gave the impression that artists were selected almost at random, the latest incarnation of Australia’s premier international art exhibition sends out the contrary message. Director, Stephanie Rosenthal, has so many reasons for every part of this show that one is left reeling. The theme this year is The future … More


The Greats

October 30, 2015
Joshua Reynolds, 'The Ladies Waldegrave' (1780-81)

Entering The Greats: Masterpieces from the National Galleries of Scotland, I felt like a thirsty man in the desert who had stumbled across an oasis. It’s been a very, very long time since the Art Gallery of NSW had an exhibition of such indisputable quality. It is not only the names that are well known, … More


The Greats

October 30, 2015
John Singer Sargent, 'Lady Agnew of Lochnaw' (1892)

At the Art Gallery of NSW the dream of a gleaming new building has become so intoxicating that management seems to have forgotten about the humdrum business of exhibitions. This has been slightly frustrating for old-fashioned types like myself who would prefer the gallery to be a place to see art, rather than a glorified urban … More


Julia Margaret Cameron

September 25, 2015
'Mrs Herbert Duckworth' (1872) © Julia Margaret Cameron/Courtesy Hans P. Kraus Jr. Fine Photographs

Imagine photographs that “electrify you with delight and startle the world,” and one does not automatically think of Julia Margaret Cameron (1815-79). Nevertheless, she was the author of both the photographs and the rave review. Today we are more likely to be startled by Cameron’s brazen self-confidence than by her portraits and ‘literary’ fancies. The … More


The Archibald Prize 2015

July 18, 2015
Winner: Archibald Prize 2015, Nigel Milsom, Judo house pt 6 (the white bird), oil on linen, 232 x 190 cm.

There was such a hullaballoo about the Packing Room Prize this year one might have thought that former Frenchman, Bruno Grasswill, had won both the Archibald and several versions of the Nobel Prize. In fact, he had won the kiss-of-death award, traditionally given to a picture of a good bloke or a good sort, as … More


Go East: The Gene & Brian Sherman Contemporary Art Collection

July 11, 2015
Zhang Huan, Family Tree, 2000, c-type prints, suite of 9 images, edition 2/3, 227 x 183 cm (framed). Image courtesy: The Gene and Brian Sherman Collection, and Sherman Contemporary Art Foundation, Sydney. Photo: the artist.

Public galleries have always cultivated good relations with private collectors, but lately those ties have taken on a new importance. This is partly a result of governments wanting to palm off the responsibility for arts funding onto private sources. The logic is perfectly cynical: when spending cuts are required the arts are seen as a … More