Art Gallery of NSW

Dobell Australian Drawing Biennial 2014

December 6, 2014
Gosia Wlodarczak at the AGNSW (2014)

One cannot travel very far in any discussion of drawing without coming across a famous statement from the great Neo-classicist, Jacques-Auguste-Dominique Ingres: “Drawing is the probity of art.” “Probity’ means both ‘correctness’ and ‘goodness’, but also ‘moral integrity’, which allows us to imagine Ingres was saying: “to thine own self be true.” This Shakespearean motto … More


Drawing

November 22, 2014
Ross Laurie, 'Walcha II', (2013).

French poet and essayist, Paul Valéry, said that drawing required “a sustained act of will” – but any child can pick up a pencil and draw with pleasure. The act of drawing, which keeps growing less definable, is both simple and hard. Simple because anyone can make a mark, hard because it requires unstinting practice … More


Pop to Popism

November 15, 2014
Roy Lichtenstein’s In the Car (1963). Photograph: estate of Roy Lichtenstein

“Witty, sexy, gimmicky, glamorous, big business…” all these terms were part of the definition of Pop Art put forward by British artist, Richard Hamilton, in 1957. The manifesto preceded the movement, as the term “Pop Art” wasn’t in general usage until the 1960s. There is no agreement about who invented the name or when the … More


Archibald Prize 2014

July 19, 2014
Fiona Lowry, 'Penelope Seidler', acrylic on canvas,
225 x 185 cm

Imagine if the Archibald Prize banned all portraits that relied on photographs. The number of entries would drop from 884 to something less than 100, while the exhibition would be dominated by amateurs and unknown artists. Even the subjects would be strangers to most viewers because it’s unlikely that anyone mildly famous could spare the … More


Theatre of Dreams, Theatre of Play

July 12, 2014
Details of Ko-omote mask, Edo period, 17th century

We’ve become accustomed to the idea that various species of animal are in danger of extinction and need to be preserved, but cultural forms are subject to analogous pressures. Commercial logic dictates that a species of theatre or performance will exist only when there is a paying audience. Many traditional forms owe their longevity to … More


Bill Brown

May 3, 2014
Bill Brown, 'Canard' (2010), acrylic on canvas, 92 X 97cm. Photography: Mikaela Burstow

Many years ago, when I was still a baby art critic, I remember Bill Brown at a party bawling drunkenly that he was the best painter in Australia. Having never seen his work I was in no position to argue. Shortly afterwards, Brown had a solo exhibition at the old Macquarie Galleries. If he was … More


Afghanistan

April 26, 2014
Afghanistan: Hidden Treasures from the National Museum, Kabul Ribbed bowl

“After Akcha,” wrote Robert Byron, in his legendary travel book, The Road to Oxiana (1937) “the colour of the landscape changed from lead to aluminium, pallid and deathly, as if the sun had been sucking away at its gaiety for thousands and thousands of years; for this was now the plain of Balkh, and Balkh … More


19th Biennale of Sydney

March 29, 2014
Mircea Cantor, Sic Transit Gloria Mundi, 2012 (video still), HD video, 4 mins. Courtesy the artist; Galerie Yvon Lambert, Paris; Dvir Gallery, Tel Aviv; and Magazzino, Rome. Sound: Semantron of Putna Monastery.

Biennales thrive on controversy but there is a feeling of unease about this year’s headlines. No-one envisaged artists boycotting the Biennale because the founding sponsor has government contracts to manage detention centres. It was no cause for celebration when Transfield’s Luca Belgiorno-Nettis, one the few dedicated patrons of the arts in corporate Australia, felt obliged … More


Richard Goodwin

March 8, 2014
Richard Goodwin's 'Third World Kline', 1992. Picture: Supplied Source

If you have driven along the Gore Hill Freeway you have already experienced the art of Richard Goodwin. The abstract patterns incised on the concrete, sound-baffling walls are taken from designs by architect, Walter Burley Griffin; the transcriptions of Aboriginal rock carvings pay homage to the area’s first inhabitants. It’s a typical Goodwin project: scrupulous … More


Sol LeWitt

March 1, 2014
Sol LeWitt, Non-geometric form (splotch), 1999 painted fiberglass, 62.2 x 50.8 x 14 cm, Art Gallery of New South Wales, John Kaldor Family Collection ©  Estate of Sol LeWitt

“Soulless Twit!” was the verdict from one local art identity, when I mentioned Sol LeWitt: Your mind is exactly at that line, at the Art Gallery of NSW. It’s a harsh call because LeWitt may not be the most expressive of artists but his precise, geometric work has that appeal we associate with anything so … More


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