abstract art

Ildiko Kovacs / Simone Fraser

May 19, 2011
Ildiko Kovacs, Serpentine 1999, Oil on plywood, 155 x 275 cm

May is becoming a crowded month, with works for the Head On Photo Festival being shown in more than 80 venues across the city. In addition there is a new round of exhibitions at the Art Gallery of NSW, and also a touch of musical chairs. Sullivan and Stumpf relocated to a spacious new venue … More


Enrique Martínez Celaya / Michael Johnson

May 7, 2011
Enrique Martínez Celaya The Last Reason, 2011 watercolour on paper 38 x 26.5 inch / 96.52 x 67.31 cm

Enrique Martínez Celaya is an overachiever by any standard. An American artist of Cuban extraction, he has been feted and praised as only the United States can fete and praise. More


Paul Hopmeier

March 1, 2011

“When we have said that sculpture is not sculptural, not an object, not a game, demonstration, machine, architecture or theatre – what is it? It is a figuration with a presence, a thing of modern lineage, learned about always from previous sculpture, and the idea so passed on to anyone who can get it.” Sidney … More


Paths to Abstraction

July 3, 2010
Wassily Kandinsky Study for ‘Painting with white border’ 1913, watercolour, gouache, ink,

Cézanne’s lesson, according to Picasso, was not to be found in his beautifully painted apples, but in his anxiety. This is echoed in the words of the artist, Paul Signac, who reported that Matisse was “anxious, madly anxious”, in the year of 1905, when the Fauves made their cataclysmic debut at the Salon d’Automne. It … More


Bill Henson David Aspden

May 15, 2010
Bill Hensen, Untitled #7, 2008/2009, archival inkjet pigment print

How fleeting and fickle are the excitements generated by the media. In 2008 it seemed as though Australian civilisation was on the brink of disaster because Bill Henson had exhibited photographs of nude teenagers. It made little difference that he had been doing this for almost thirty years already, with the works being shown in … More


McCubbin: Last Impressions & Aida Tomescu

October 24, 2009
Frederick McCubbin, Violet and gold, 1911, oil on canvas, 72.0 h x 130.0 w cm

There can be few more disconcerting feelings than being the only one at a party who isn’t having a good time, but this is roughly how I felt as I wandered through the exhibition, McCubbin: Last Impressions 1907-17, at the National Gallery of Australia. Having never thought much of this period of McCubbin’s work I … More