abstract art

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Tony Tuckson: The Abstract Sublime

January 11, 2019

In a review of Tony Tuckson’s second and final solo exhibition, held at Watters Gallery in April, 1973, James Gleeson spoke of a “rare, wild energy that is without parallel in Australian painting.” Four decades later that claim still holds true. Over the years there have been plenty of artists who qualify as ‘Abstract Expressionists’ … More


RAW: Wedderburn

July 5, 2018

There is no fixed definition of an ‘artists’ colony’ although there are numerous examples spread across the globe. Some are run like businesses, others are no more than clusters of like-minded Bohemians. The prototype of the modern artists’ colony is probably Worpswede, 28 kms from Bremen in northern Germany, which has been a haven for … More


The Field Revisited

May 25, 2018

No exhibition of Australian art has been more mythologised than The Field. Indeed, its only historical competition might be the 9 by 5 Impression exhibition of 1889, in which artists such as Tom Roberts and Arthur Streeton scandalised Melbourne by calling themselves “Impressionists”. The Field proved equally controversial when it launched the new St.Kilda Road … More


Hilarie Mais

September 30, 2017

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie … More


Salon des Refusés 2014

August 9, 2014

So much has already been written about Sydney’s $9.3 million public sculpture proposals that I’m in two minds whether to comment or leave it alone. Nevertheless, it’s an issue that won’t go away. It’s depressing that the very idea of a city council spending money on art brings out the philistine in a large proportion … More


Roy Jackson, Savanhdary Vongpoothorn, Kirsteen Pieterse, Vika Begalska

March 16, 2013

Last week I was reminded of the gulf that exists between the art world and the rest of the world, when ABC radio asked me to comment on the Mayor of Newcastle’s view that funding for a new regional gallery should come from selling works in the collection. His logic was: the holdings of the … More


J.W.Power Abstraction-Création Paris 1934

December 1, 2012

Almost sixty years after his death, John Joseph Wardell Power is overdue for another look. Power is best known as the generous benefactor who provided funds for a department of art history at Sydney University and a collection that has since evolved into the Museum of Contemporary Art. It is not widely known that the … More


Ken Whisson: As If

October 6, 2012

Ken Whisson says he has always enjoyed being “outside of the awful mainstream”, but it may be that he is about to redefine what is mainstream and what is marginal. Ken Whisson: As If at the Museum of Contemporary Art, is the most fascinating retrospective since the National Gallery of Australia’s George Lambert survey of … More


William Robinson, Aida Tomescu, Evelyn Kotai

August 25, 2012

Fred Williams used to say that if you can’t paint a portrait then your art is in trouble. He would have been surprised to see so many portraits included in his recent retrospective, as they were only ever a diversion from his landscape paintings. For an artist there is always the danger that one day … More


Not the Way Home, Damaged

June 16, 2012

In recent years there has been a spate of projects in which a group of artists are taken to some far-flung location and invited to respond to a new environment. The end result is a group exhibition that gathers together works made on the spot, and those created afterwards in the studio from memories, sketches … More


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