Sydney Morning Herald Column

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Perth Festival Art

March 3, 2017

Back in the 1980s when Adelaide was Australia’s only notable arts festival, it featured a comprehensive visual arts program. Today there are festivals in every major city and in several minor ones, but the visual arts are marginal to proceedings. The exception to the rule is the Perth International Arts Festival. Long-term curator, Margaret Moore, … More


Margaret Olley

February 24, 2017

It’s hard to believe it’s been more than five years since Margaret Olley died. She was such a forceful personality I still half expect to see her pushing through a crowd at the Art Gallery of NSW, using her walking frame to clear a path. The art world is notorious for its doublespeak but Margaret … More


Versailles

February 17, 2017

In Roberto Rossellini’s film of 1966, The Taking of Power by Louis XIV, there is a scene in which the King appears in an outrageous red outfit, all frills and flounces, designed to his own specifications. He explains that with this clownish costume he is setting a dress code to keep his nobles poor, and … More


‘Difficult Pleasures’ in Berlin

February 10, 2017

Am Kupfergraben 10 is a modern four-storey building in the historic heart of Berlin. An imposing structure in reinforced concrete and glass, designed by British architect David Chipperfield, it looks out across the River Spree to the Museum Island and the Lustgarten. With high ceilings, gleaming white walls and large windows with adjustable light levels, … More


Philippe Parreno

February 2, 2017

There’s something fascinating about Philippe Parreno, but it’s not necessarily the art. It’s his mind. Having sat through two-and-a-half hours of short, oblique films at the Australian Centre for the Moving Image, I came away feeling amazed by the kind of mind that could devise such a strange, obscure spectacle. Perhaps “spectacle” is the wrong … More


Tatsuo Miyajima

January 27, 2017

Tatsuo Miyajima is the kind of artist who stands out, even in the largest of exhibitions. My first glimpse of his work came at the 1988 Venice Biennale where his Sea of Time was the most talked-about piece on display. Amidst all the derivative and nondescript stuff that inhabits the specially curated component of the … More


Sappers and Shrapnel

January 13, 2017

I’m regretful about Sappers and Shrapnel: Contemporary Art and the Art of the Trenches at the Art Gallery of South Australia – not about the show but about how long it lingered in the queue before I could get down to Adelaide for a viewing. Exhibitions at the AGSA are often of a short duration … More


Bronwyn Oliver

January 6, 2017

All artists are ultimately judged not by their biographies and personalities, but by what they leave behind. It doesn’t matter what sins they might have committed, or what trails of heartbreak and devastation they left in their wake. We might deplore Gauguin’s narcissism and perversity, but it doesn’t mean we think less of his paintings. … More


David Hockney: Current

December 21, 2016

In 1988 a London critic described David Hockney as “the lost boy of contemporary painting.” A decade later, another newspaper columnist compared him to the Ancient Mariner, as a garrulous old codger. It’s a measure of Hockney’s elusiveness over the course of a very long, very successful career. There’s some truth in both claims. The … More


A History of the World in 100 Objects

December 16, 2016

Neil MacGregor, former director of both the National Gallery, London, and the British Museum, is rightly viewed as one of the great museum professionals of our times. Combining intelligence, sensitivity and personal modesty with bluff Scottish common sense, MacGregor should be a model for today’s museum directors, as they  struggle with declining attendances and governments … More


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