John McDonald

Having done the stats on the French film industry earlier this year, the annual Audi Festival of German Films tempts me to take a quick look at Europe’s other great cinematic powerhouse. While the French clocked up 272 features in 2011, the Germans managed a respectable 212. This makes it the seventh biggest film producer … More

‘Switched at birth’ was a favourite plot device for Gilbert and Sullivan. It resolved a lot of tricky dilemmas and allowed true love to overcome barriers of class and kinship. By now the theme might seem as corny as a Victorian operetta, but a good device can always be relied upon for new twist. The … More

In old episodes of Get Smart, it was not uncommon for Secret Agent 86 to wish that some villain had used his powers “for niceness instead of evil”. No is the movie that applies this wishful thought to the advertising industry. It is 1988, in Chile. The military dictatorship of General Augusto Pinochet has been … More

William Eggleston, whose work is showing at Sydney’s Museum of Contemporary Art, is known for introducing colour into contemporary art photography. It was not a popular innovation among his peers who were devoted to the medium of black-and-white. The unspoken wisdom is that the world seems far more profound when photographed in black-and-white, and irredeemably … More

In a recent poll sponsored by HMV, Danny Boyle’s Trainspotting (1996) was voted the best British film of the past 60 years. Although such surveys have an unhappy resemblance to those ‘Greatest Hits of All Time’ polls run by commercial radio stations, Trainspotting deserves the kudos. It was a brilliantly original movie which sealed Boyle’s … More

Hard on the heels of Lincoln comes another movie about a great American President. But if Steven Spielberg seemed to be sending a message to Barack Obama about being steadfast and determined, it’s hard to know what Richard Michell is telling us about Franklin Delano Roosevelt in Hyde Park on Hudson. Allowing for its Spielbergisms, … More

Takashi Miike is the cinema’s man of a thousand faces. He is astonishingly prolific for a contemporary filmmaker, having directed more than 60 movies since his debut in 1991, as well as stage and TV productions. Miike is notorious not only for the quantity of his films but for their bewildering variety. He is probably … More

In making the umpteenth version of Charles Dickens’s Great Expectations, British director, Mike Newell, resisted doing something ‘bold and audacious’ just for the novelty value. So far, so good, because the greatest crimes against the classics are committed when directors allow the preoccupations of our own age to disfigure those stories that have become part … More

“Gwynplaine we are made for each other. The monster you are outside, I am inside.” Where do you get to hear – or at least read – lines like that? Only at the 24th Alliance Francaise French Film Festival, or until a featured item gets an Australian release. From an exceptionally strong program last year … More

Watching a movie can occasionally inspire us to adopt that quaint old-fashioned pasttime of reading a book. The new adaptation of Anna Karenina sent me back to Tolstoy, if only to confirm that a terrible film may be made from a great novel. Over the past year I’ve found myself re-reading Jane Eyre, Wuthering Heights, … More