Blog

Harrie Fasher: The Last Charge

February 16, 2018
Harry Fasher's 'The Last Charge' (2017)

How many artists can look back on their careers and identify an ‘I have arrived’ moment? For Picasso that moment came in 1907 with Les Demoiselles d’Avignon, for Sidney Nolan, it was the first Ned Kelly series of 1946-47. Damien Hirst exhibited his dead shark in formaldehyde in 1991, the following year Jeff Koons showed … More


Guy Warren

February 2, 2018
Guy Warren, 'Nullabor with figure' (2010)

Guy Warren is part of the landscape of Australian art, which may be the reason he has been so often overlooked. An exact contemporary of artists such as Sidney Nolan, Arthur Boyd and Jeffrey Smart, Warren has lived happily enough with a much lower profile. This is partly a reflection of his personality, which displays … More


Ray Hughes 1946 – 2017

December 15, 2017
Lucy Culliton's memorable portrait of Ray from 2011

With the death of someone truly unique it seems the only words that leap to mind are clichés. I’m already counting the number of times I’ve heard that Ray Hughes, who died last week at the age of 72, after a bout of pneumonia, was “larger than life”, a “legendary” art dealer. Such epithets may … More


Xu Zhen

December 8, 2017
Xu Zhen's 'Eternity-Buddha in Nirvana' gets installed at the National Gallery of Victoria

In 2009 Xu Zhen decided he would “set aside his identity as an individual artist” and become a corporate entity. For the next four years, MadeIn Company (as in “Made in China”) would produce a dazzling variety of work for international museums and galleries. In 2013, its booming success encouraged the Company to release its … More


Louvre Abu Dhabi

November 24, 2017
Screen Shot 2017-11-24 at 3.22.58 pm

“Let there be light,” said Jean Nouvel, when invited to work on the billion dollar project that has become Louvre Abu Dhabi. The acclaimed French architect refers to himself as a “contextual artist” whose first responsibility is to the broader culture in which a building takes its place. In this instance, his starting point was … More


Lore of the Land: Songlines

October 27, 2017
Traditional custodian, Stanley Douglas

Under a blue, cloudless sky the road is one long strip of red earth, hemmed in by expanses of dry, tufty grass and scrub. The dominant colour is a pale yellow-grey, offset with the faintest tinges of green. The major landmark is Mount Conner, a long flat-topped monolith of reddish rock overshadowed by Uluru’s celebrity. … More


Cressida Campbell: Who wants the world?

October 20, 2017
Cressida Campbell

Berlin in January was cold, with snow falling in light drifts. Inside the CFA Gallery on Am Kupfergraben, just across the River Spree from the Museum Island, everything was bright, white and climate-controlled. In a large central gallery on the first floor were massive oil paintings by Australia’s most commercially successful painter, Tim Storrier – … More


Istanbul – The Art of Optimism

October 6, 2017
Sukran Moral, 'Hit-and-Run My Heart!' (2016)

“We are a thin-skinned country,” admitted Selim Yenel, “We are intolerant.” There was no argument from the international journalists assembled around the table. In the face of successive questions about government censorship and repression, the Undersecretary of the Turkish Ministry for EU Affairs Ambassador provided answers no-one could dispute. Asked about the political persecution of … More


Farewell Stills

July 15, 2017
Last day at Stills. 4th, 5th & 6th from the left: Sandy Edwards, Kathy Freedman, Bronwyn Rennex

Twenty-six years is a long time to be running a commercial gallery, let alone a gallery specialising in photography. When Kathy Freedman and her partners close Stills Gallery in mid-July, it will spell the end of a long adventure in convincing Sydney audiences that photography is art. Stills began life in a Paddington terrace house … More


Wendy Loefler 1950-2017

July 7, 2017
Wendy Loefer, Last Light, from the sequence, Elsewhere (2015-17)

In the weeks leading up to her exhibition at Australian Galleries in Melbourne, Wendy Loefler emailed me about the work she had been doing over the past two years. “It’s fairly unusual and considerably more ambitious than my usual fare. I’m making one continuous immersive desert landscape in the round, on twelve abutting large canvasses.” … More