Recent Sydney Morning Herald

Giorgio de Chirico, 'The Metaphysical Muses' (1918)

Giorgio de Chirico: Major works from the Collection of Francesco Federico Cerruti

March 16, 2018

Giorgio de Chirico had an irrascible reputation but never lacked self-confidence. Although recognised as one of great modern artists, de Chirico (1888-1978) was a vehement opponent of Modernism. In his eyes, Cézanne, Matisse and Modigliani were no more than “pseudo-artists”, makers of infantile daubs. “Naturally,” he writes in his Memoirs, “in order to see and … More

Posted in: Sydney Morning Herald Column

Lindy Lee's 'Life of Stars' in front of a luridly lit AGSA

The 2018 Adelaide Biennial: Divided Worlds

March 9, 2018

It’s a time-honoured tradition that large museum surveys of contemporary art should have titles so vague and all-encompassing as to be effectively meaningless. Yet it may be that with Divided Worlds, Erica Green, the curator of the 2018 Adelaide Biennial, has found a title that actually feels relevant. Two decades into the 21st century the … More

Posted in: Sydney Morning Herald Column

Up close & personal with Zadok Ben-David's 'The Other Side of Midnight' (detail)

Perth Arts Festival 2018

March 2, 2018

When it comes to rampant development Perth loses nothing in comparison with its eastern counterparts. Amid the new buildings and public works only one thing remains the same: the Art Gallery of Western Australia, which looks just as shabby year after year. Its every mention provokes Olympic-standard eye-rolling in other members of the local arts … More

Posted in: Sydney Morning Herald Column

Happy Year of the Dog! Song Ling's canine contribution guards the Opera House

Chinese New Year Lunar Lanterns & In Your Dreams

February 23, 2018

Bread and circuses was the classical world’s formula for keeping the population happy. The famous phrase originates in Juvenal’s 10th Satire, when the poet laments that Romans have become so blasé about the political process they are happy to sell their votes for grain handouts and lavish public entertainments. With the NSW Government proposing to … More

Posted in: Sydney Morning Herald Column

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From the blog

Harry Fasher's 'The Last Charge' (2017)

Harrie Fasher: The Last Charge

February 16, 2018

How many artists can look back on their careers and identify an ‘I have arrived’ moment? For Picasso that moment came in 1907 with Les Demoiselles d’Avignon, for Sidney Nolan, it was the first Ned Kelly series of 1946-47. Damien Hirst exhibited his dead shark in formaldehyde in 1991, the following year Jeff Koons showed … More

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Guy Warren, 'Nullabor with figure' (2010)

Guy Warren

February 2, 2018

Guy Warren is part of the landscape of Australian art, which may be the reason he has been so often overlooked. An exact contemporary of artists such as Sidney Nolan, Arthur Boyd and Jeffrey Smart, Warren has lived happily enough with a much lower profile. This is partly a reflection of his personality, which displays … More

Posted in: Blog

Lucy Culliton's memorable portrait of Ray from 2011

Ray Hughes 1946 – 2017

December 15, 2017

With the death of someone truly unique it seems the only words that leap to mind are clichés. I’m already counting the number of times I’ve heard that Ray Hughes, who died last week at the age of 72, after a bout of pneumonia, was “larger than life”, a “legendary” art dealer. Such epithets may … More

Posted in: Blog, Uncategorized

Xu Zhen's 'Eternity-Buddha in Nirvana' gets installed at the National Gallery of Victoria

Xu Zhen

December 8, 2017

In 2009 Xu Zhen decided he would “set aside his identity as an individual artist” and become a corporate entity. For the next four years, MadeIn Company (as in “Made in China”) would produce a dazzling variety of work for international museums and galleries. In 2013, its booming success encouraged the Company to release its … More

Posted in: Blog

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