Recent Sydney Morning Herald

Edgar Degas
Group of dancers (red skirts) (Groupe de danseuses (Jupes rouges)) 1895–1900
pastel
77.0 x 58.0 cm
Lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council: from the Burrell Collection with the approval of the Burrell Trustees (35.243) © CSG CIC Glasgow Museums Collection

Degas

July 28, 2016

Degas had a dread of publicity and an intense dislike of journalists. “Those people trap you in your bed,” he grumbled, “strip off your shirt, corner you in the street, and when you complain, they say: ‘You belong to the public.’” Almost a hundred years after his death, Hilaire-Germain-Edgar Degas (1834-1917) has become public property … More

Posted in: Sydney Morning Herald Column

Frida Kahlo Diego on my mind (Self-portrait as Tehuana) 1943 The Jacques and Natasha Gelman Collection of Mexican Art © 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico DF

Frida and Diego

July 22, 2016

When 22-year-old Frida Kahlo married 42-year-old Diego Rivera in August 1929, her parents described it as the union of a dove and an elephant. This may have been a fair description of the newlyweds’ physical attributes, but Diego was also an elephant in terms of his public profile while Frida seemed as quiet as a … More

Posted in: Sydney Morning Herald Column

Winner: Archibald Prize 2016, Louise Hearman, Barry, 2016

Archibald Prize 2016

July 15, 2016

For a severe case of cultural vertigo try spending three weeks in the museums of Europe gazing at portraits by Rembrandt, Rubens and Beckmann, before hurrying back to Sydney for… the Archibald Prize! If travel broadens the mind it’s a positive disadvantage when it comes to appreciating the charms of this great Australian institution. Faced … More

Posted in: Sydney Morning Herald Column

My Country 2005Synthetic polymer paint on canvasCollection: The Estate of Mirdidingkingathi Juwarnda Sally Gabori© Mirdidingkingathi Juwarnda Sally Gabori. Licensed by Viscopy

Sally Gabori

July 8, 2016

Indigenous art is never purely “abstract” but it comes mighty close in the works of Mirdidingkingathi Juwarnda Sally Gabori (c.1924-2015), the subject of a eye-opening retrospective at the Queensland Art Gallery. Gabori’s paintings may refer to Bentick Island in the Gulf of Carpentaria, where she lived until the age of 24, but to call her … More

Posted in: Sydney Morning Herald Column

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From the blog

Jenny Sages, Totems - group shot, encaustic, pigment & oil on board @King Street Gallery

Jenny Sages

July 28, 2016

“As artists we’re not nearly as interesting as writers,” Jenny Sages once confessed. “We’re all just finger painting, but when someone gives me a sentence I can remember, it triggers something very strong inside me.” In one of her new works Sages quotes a poem by Anna Akhmatova, the words picked out in tiny perforations … More

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In one image, the model drinks from an ancient gold cup. Photo: Bill Henson

Bill Henson: Oneiroi

April 8, 2016

Bill Henson has good reason to reflect on the differences between ourselves and the ancient Greeks. In a culture in which sexual relationships between men and boys were accepted as a normal rite of passage, it would have been unthinkable to vilify an artist for merely portraying the nude bodies of teenagers. In his new … More

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Lee Mingwei, Guernica in Sand, 2006/2015, mixed-media interactive installation; sand, wooden island, lighting, 1300 x 643 cm. Courtesy of JUT Museum Pre-Opening Office, Taipei. Photograph: Taipei Fine Arts Museum

Biennale of Sydney: First Impressions

March 23, 2016

If the previous Biennale of Sydney gave the impression that artists were selected almost at random, the latest incarnation of Australia’s premier international art exhibition sends out the contrary message. Director, Stephanie Rosenthal, has so many reasons for every part of this show that one is left reeling. The theme this year is The future … More

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The former entry reimagined, now hosting the Wild Planet exhibition. Photo Stuart Humphreys

Kim McKay

March 11, 2016

Nobody seems to have told Kim McKay that the casting for the new Wonder Woman movie is over. In less than two years at the helm of the Australian Museum she has built a new entrance for $4 million, completely rehung the galleries devoted to natural history and indigenous Australia, dropped entrance charges for children, … More

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